A Lapidary of Sacred Stones

Now you kids know I’m a gal that loves me some Christopher Penczak. I’m a lady that adores me some Deborah Blake. Yet there is but one writer that elicits a fan girl squeal the way Ol’ Blue Eyes would from the ladies back in the day, and that’s Claude Lecouteux. Yes folks, he’s back, and this time he brought jewelry. Lecouteux…..with jewelry people! Claude Lecouteux’s latest is “A Lapidary of Sacred Stones: Their Magical and Medicinal Powers Based on the Earliest Sources.”

At this point in most of our lives we’ve all thumbed through, or own, at least one book about the properties and/or powers of certain minerals and gemstones. Many of you probably already have a favorite. However with each book it’s about what they choose to include and how they choose to organize the information. Those who know and love Lecouteux know that this book is going to be special, and Lecouteux does not disappoint.

From right in the “Introduction”, “How the Dictionary is Organized”:

I have left the names of stones in classical or Medieval Latin as entries, when they exist, because they do not always correspond to the names of modern mineralogy and many stones remain unidentified, and I am going by the medieval nomenclatures. For stones without specific names, I have created entries of the type “stone + virtue” or “stone + location.”

So to find my birth stone, Emerald, I look under “Emerald” and I’m told to “See Smaragdus”. Once there I find 5 pages of diverse information. For instance the stone was one of the 12 stones found on the high priest Aaron’s breastplate in Exodus 28:15-30. Or, the emerald is used in hydromancy or divination. He mentions the emerald’s appearance in “The Romance of Alexander” and the “Letter of Alexander to Aristotle”.

Hopefully this has given you a little idea as to what to expect inside Claude Lecouteux’s “A Lapidary of Sacred Stones”. A lapidary is an old book on the lore of gems, someone who cuts, polishes or engraves precious stones, or a collector or dealer of gems. Lecouteux has certainly wrote this generation’s lapidary with “A Lapidary of Sacred Stones”. Whether you’re looking for Carniz, Magnet of Fish, or Sun Stone, this book is a keeper!

Next we’ll be examining “Crystals, Jewels, Stones: Magic & Science” by Isidore Kozminsky, that just happens to have “Crystals and the New Age” by Stuart Weinberg along for the ride.

The Art of True Healing

I love it when I’m sent reprints of old books to review. It gives me the opportunity to hold history in my hands. What are the odds that in my lifetime I would hold in my hands a copy of the 1932 book “The Art of True Healing: The Unlimited Power of Prayer and Visualization” by Israel Regardie? Let’s be generous and say, not good. Thankfully, over forty years ago New World Library co-founder and Publisher Marc Allen found that book in a store and kept it in good stead so that it could be shared now.

I’m not sure if Allen is as big a fan of Israel Regardie as I am, but it is obvious in his role as Editor that he does hold “The Art of True Healing” in high regard. And why not? The book’s primary focus is to instruct the reader in how to do The Middle Pillar Meditation. Readers of Regardie and/or the Western occult traditions are probably familiar with this exercise. For those of you unfamiliar with it, The Middle Pillar is an exercise where you work with moving energies throughout your body. I don’t want get too specific, it would be like giving away the book!

Believe it or not, I have been known to bust out The Middle Pillar. However I didn’t grasp it’s true potential as a tool for healing until reading this book. I certainly never considered it as a magical working you could perform on another person, but there it is, written in clear, concise language. And as always when I read Regardie I’m now inspired to retake up a regular practice. Allen chimes in at the end with some variant versions he’s come up with over his years of practice.

I highly recommend “The Art of True Healing”. It’s a wonderful introduction to Israel Regardie and a practical one at that. It has the pleasing introductory suggested price point of $12.95 and is in the perfect size for carrying in purse or coat pocket while studying. I’d also like to mention that obviously fans of Regardie, like myself, will want this book, but all my readers who work with energy for healing are going to want this book. Trust me. “The Art of True Healing” gave me new insights into subject matter I thought I already knew. That’s one of the best things I can think to say about this book.

Corresponding with Sandra Kynes

What to say about “Llewellyn’s Complete Book of Correspondences: A Comprehensive & Cross Referenced Resource for Pagans & Wiccans” by Sandra Kynes. Essentially my first reaction was; Holy shit! I apologize for the profanity, but that was truly my reaction when I pulled this hefty book out of its package. It must have been an extreme undertaking for author Sandra Kynes. There’s just so much information in there! It’s over 500 pages long!

Kynes new book is divided up into issues, intentions, and powers along with their correspondences at the beginning. Next are sections dealing with plants, minerals, animals, deities, astrological, and miscellaneous that are all cross referenced with each other. Not to mention the delightful index. The amount of information to be found within each area is amazing, even as Kynes is apologizing and acknowledging that more could have been added. Did I mention more than 500 pages?

She presented the information in these cross referenced sections to allow readers more options when working with correspondences. Kynes explains that the way these books normally work, the research creates a pin wheel. Her example is you look up love and you find that the Moon is associated with love. That would normally be the end. However the way Kynes has done things you look up love and you learn that the Moon has a link to love (as before), but now you’ll see that the Moon is associated with the Sapphire gemstone and perhaps that clicks with you more, or perhaps that is something you feel can reinforce what you’re doing. Kynes says that “We can bring correspondences to life by thinking in terms of a web. Doing so allows us not only to expand the links of attributes, but it also allows us to personalize the way we use magical correspondences.”

“Llewellyn’s Complete Book of Correspondences: A Comprehensive & Cross Referenced Resource for Pagans & Wiccans” is truth in advertising. And it’s true that it does have a definite Pagan/Wiccan lean to it, but it is certainly well researched and resourceful enough that any occult/magic user would find it a handy book to have on their shelf.

Another 10 Questions with Deborah Blake

1. What made you decide to write “Everyday Witch Book of Rituals”?
Mostly popular request! I’d begun to think I’d said everything I had to say about the modern witch’s practice, but people kept asking me for rituals. In addition, I’d always wanted to write a follow-up to my first book—Circle, Coven & Grove: A Year of Magickal Practice. One of the things I loved about that book is that it made a year of Pagan practice easy by giving you everything you needed to celebrate full moons, new moons, and Sabbats…but it was designed mostly for covens (witches working together) and I wanted to write one that was aimed at both solitaries and group witches, and had a little something added.

2. How do rituals differ from spells?
A spell is simpler—usually a kind of prayer or request or putting intentions out into the world (sometimes rhyming, sometimes not). They’re often fairly short; anywhere from two lines to twenty or forty. A spell is often used at some point during a ritual, although not always.

3. How does “Everyday Witch Book of Rituals” differ from one of your early books, “Circle, Coven, and Grove”?
As I said before, CC&G was a book for coven practice, while Everyday Witch Book of Rituals is aimed at everyone (although lots of solitaries told me they used the earlier book and loved it anyway). There’s also a lot more detail about why and how we do rituals, as well as rituals for special occasions like handfastings, Wiccanings (child blessing), eldering, passing over rites and more. And, of course, some sage advice from Magic the Cat.

4. What was the most difficult part about writing a book of rituals?
Trying to create rituals that would work for witches who were just starting out, while not boring witches who had been practicing for years. (I think I pulled it off. My readers will have to let me know.)

5. What do you hope readers take away from “Everyday Witch Book of Rituals”?
I hope they get a sense for what ritual can add to our lives in a spiritual sense, as well as how useful rituals can be to celebrate the magickal year.

6. What other books would you recommend for readers wanting to learn more about working with rituals?
There are lots of great books out there with rituals in them, and few that are focused entirely on rituals. If you are a beginning solitary, Scott Cunningham’s Wicca: A Guide for the Solitary Practitioner is a good one to start with, if you like more ornate and complicated rituals, you should take a look at Raven Digitalis’s Planetary Spells & Rituals. Another couple of good ones are A Year of Ritual: Sabbats & Esbats for Solitaries and Covens, by Sandra Kynes and Dorothy Morrison’s Everyday Moon Magic: Spells and Rituals for Abundant Living (anything of hers is great, really).

7. Readers may or may not know that your cat, Magic, generally helps with most of your work. How much input did Magic have in this book?
She wrote a section on how to practice rituals with a familiar, which she considers to be the most important part of the book. Other than that, she did her usual fabulous job of sitting on the back of my chair and supervising me as I wrote. It is a well-known fact that I am not, in fact, capable of writing without feline supervision, which is why you will never find me typing away in a coffeehouse.

8. And as long as we have Magic’s attention, who is Magic’s favorite cat: Garfield, Sylvester, or Tom (of “Tom and Jerry” fame)?
Wait, I’ll go ask her. *sound of receding footsteps* *sound of cat sitting down at the laptop* “Don’t be ridiculous. Cats don’t eat lasagna. And they don’t get their butts whupped by teeny tiny birds or mice. None of these are on my favorite cat list. Puss in Boots, now, HE was a clever cat.”

9. Do you have any other projects that my readers can look forward to?
I am currently working on my seventh book for Llewellyn, tentatively titled “A Broom for Every Witch.” It is all about the different kinds of broomstick magick you can do, as well as everything you ever wanted to know about brooms. I’m having a lot of fun writing it, and can’t wait to share it with everyone (probably late in 2014). In the meanwhile, if people haven’t read my fiction, they can find my ebook, Witch Ever Way You Can, at Amazon, B&N, and Itunes. And yes, there’s a witch in it!

10. Parting shot! Ask us here at The Magical Buffet any one question.
What is your favorite thing to eat at Panera Bread? (And when are you coming to visit and bringing me some?)

I don’t think I can pick a favorite. There is a lot of stuff I like at Panera. When I’m forgetting calories at breakfast I go with a Cinnamon Crunch bagel, and I love when they have the seasonal Trail Mix bagel! Lately I’m in love with their version of the BLT which is bacon, lettuce, and tomato, but also avocado and turkey too! Seriously, you need to keep this girl AWAY from Panera! But when I come to see you, I’ll be sure to have some. Maybe later this month?


Deborah Blake is a Wiccan High Priestess who has been leading her current group, Blue Moon Circle, for many years. She is the author of six books on modern Witchcraft from Llewellyn Worldwide, including The Goddess is in the Details: Wisdom for the Everyday Witch, Everyday Witch A to Z Spellbook, Witchcraft on Shoestring and Everyday Witch Book of Rituals.. Deborah was a finalist in the Pagan Fiction Award Contest and her short story, “Dead and (Mostly) Gone” is included in The Pagan Anthology of Short Fiction. She is also the author of Witch Ever Way You Can, a paranormal romance featuring…of course…a witch. She is represented by agent Elaine Spencer of The Knight Agency.
When not writing, Deborah runs The Artisans’ Guild, a cooperative shop she founded with a friend. She lives in a 100+ year old farmhouse in rural upstate New York with five cats who supervise all her activities, both magickal and mundane.

The Alphabet for Lovers

Some of you may remember that back in December 2011 I reviewed the unique divinatory set Tokens of Light by Orna Ben-Shoshan. I’m happy to say she’s back with “The AlphaBet for Lovers: Insights, Advice & Prophecies about Love and Relationships According to the Hebrew Alphabet”. If you were intrigued by “Tokens of Light”, you’re going to LOVE “The AlphaBet for Lovers”.

“The AlphaBet for Lovers” is a set of 72 small (when compared to tarot) heart-shaped cards. Each card has a letter of the Hebrew alphabet on it and according to Ben-Shoshan the Kabbalah attributes more meaning to these letters. A heart will have a beautiful piece of Orna Ben-Shoshan’s art on one side along with a number and the other side will have a short phrase that is associated with the Hebrew letter that is on the back. The set comes in a box designed to look like a book and with a pretty bag to carry the heart cards in.

Although the name says “Lovers”, “The AlphaBet for Lovers” is designed for examining relationships in general. Relationships between co-workers, parent and child, etc. are all fair game for examination. Readings are relatively straight forward. You reach your hand into the bag and mix the hearts while focusing on your question. Once you feel your hand is drawn to a heart, you select it, and by using the number on the front of the heart you can easily look it up in the companion book and learn its meaning.

And not too sound like an infomercial, but wait! There’s still more! If you go to her site you can also check out “The 9 Blessings: For Love, Health, and Success”. These are 9 Kabbilistic amulets on cards conveniently sized to carry in your wallet or purse. You could easily carry them in your pocket as long as you think you could remember to take it out before washing your clothes!

Once again Orna Ben-Shoshan has created an enchanting and unique divinatory set. To learn more, you can visit her site.

A Magical Path

By Marc Allen

The magical path is a short path, one that reaches its destination quickly, and for that reason, it’s appealing and useful for a great many people, including artists, young people, the overworked, underpaid, overwhelmed, or hopelessly lazy.

The magical path is a direct path to success as you choose to define it. You work directly with the creative forces of the universe, so that the life and the world you picture and focus on in your imagination very quickly become your life and your world in full, three-dimensional reality.

This is a course in real magic.

Real magic exists, absolutely. It is called by many different names by different people all around the world. Whatever word or words you use to describe it, it is the mysterious process by which something is created out of apparently nothing. It is the process that has created this entire vast universe with you and me sitting in it and pondering these words at this moment. It is the ever-mysterious process of life — call it what you will.

I’ve always liked the word magic. I still have memories of the mystery and wonder of childhood, and the word has always fascinated me. You can call it by many other words, including physics or chemistry if those words seem more accurate or sensible or realistic to you. You can call it intelligent design — whatever you call it, however you imagine it to be, there is obviously a vast intelligence within the forces that design and create this universe. You can call it God, you can call it science. You can call it creative visualization. You can call it strategic planning. Successful people use magic all the time, whether they’re aware of it or not.

Many people who use magic very effectively don’t believe in it, and don’t even like the word or the concept of magic at all. The word has a great many negative meanings for a lot of people. Yet a large number of them have found out how to apply what we can call the laws of manifestation and — yes — magical creation in their lives. They just give the process different words. Choose whatever words work for you.
The words themselves are not that important — they are tools to summon powers that are far beyond our words. Call this mysterious process anything you want. For the purposes of this course, we’ll call it magic.

There is an ever-mysterious process of creation;
we can call it many things.
We will never understand how the process works,
but we can consciously set it in motion.

The process begins in the inner world of the mind. It begins with a thought, a dream — something ephemeral, fleeting, as light and vulnerable as a tiny seed blown in the wind. By focusing on that thought, that dream, we can discover how to create it in our lives and our world. We can create something out of apparently nothing.

About Marc Allen:
Marc Allen, author of “The Magical Path”, is an internationally renowned seminar leader, entrepreneur, author, and composer. He co-founded New World Library (with Shakti Gawain) in 1977 and has guided the company, as president and publisher, from a small start-up to its current position as a major player in the independent publishing world.

Excerpted from the new book The Magical Path ©2012 by Marc Allen. Published with permission of New World Library http://www.newworldlibrary.com

10 Mostly City Magick Questions with Christopher Penczak

1. “City Magick: Spells, Rituals, and Symbols for the Urban Witch” was your first book that was published. How does it feel to see it back in print?

It’s honestly a little weird. Though I am very happy with the book and how it started my writing career, I feel a lot less attached to it now and it feels like a lifetime away. I no longer work in the city and have those same issues, so when folks want to talk intensely about it, I feel a little disconnected. I just moved into a lovely home with a barn and five acres in New Hampshire, and we’re setting it up to be the home of the Temple of Witchcraft. I find the woods calling to me more and more, and only in the cities when I travel to teach.

2. What had inspired you to write “City Magick”?

I was working at Fort Apache, a Boston area recording studio and record label. I had just gotten my first degree in Witchcraft, and shifted from this more coven based, outdoor practice in the suburbs of New Hampshire to working all the time in Cambridge, and staying out late at shows and events in Boston. My time off was between office hours and the next show, and I was trying to squeeze a magickal practice in at that time. The techniques naturally grew out of my experiences there and some inspiriation from my partner, Steve Kenson, and his approach to magick through Chaos Magick. Some Peter Carrol, Phil Hine and Grant Morrison helped me on my way.

I kept good notes on my practice, and when I found myself no longer employed, I began writing about it to fill the time and soon had a book to publish.

3. I think many Pagan magic users feel the closer to nature the better. Are there perhaps any advantages to city based magic?

I think it teaches you to feel the current of life force anywhere you are. I think someone who can only practice in nature isn’t really paying attention and needs to gain better percpetion and connection. Nature is everywhere. It is tenaciously growing through the city cracks and found upon the streets no matter where they are. Cities have their own nature, their own ecosystems, their own spirit systems, and they are available to us.

4. At this point in your career you’ve traveled quite a bit, are there any cities you find particularly magical?

Seattle. I love Seattle. Great harmonious mix of nature and city, art and magick. Just returned from there actually, so I might be a little biased. I find San Francisco, Boston and New York City particularly magickal. London is overwhelmingly magickal. At times I feel like I’m wading through the aura of London, but at other times, it’s easier. I wonder if that has to do with seasonal or astrological alignments. Cities have astrology and charts, just like people. They have their own persona and character and life their share with their inhabitants.

5. “City Magick” offers an extensive list of exercises for readers to try such as Sidewalking and TV Scrying. What are some of your favorites and why?

The Sidewalking is still one of my favorite – to attune to the energy and currents and spirits just when out for a walk. You can do it in the woods on a trail, or in the city through downtown. It helps you pick up on what is present energetically wherever you are.

I also like looking for magickal symbols in graffiti art. That is still inspiring. I used to blog about it when I traveled, but haven’t done it in a while.

6. In “City Magick” you discuss magic having three basic building blocks, “the three Rs: reality, rapture, and ritual”. Do you still use those building blocks when discussing magic now, 11 years later?

I don’t think I use that same language today. I tend to focus now on the teachings of the Temple of Witchcraft, and the three there have gotten boilded down to clear intent, strength of will and a method to direct energy. There are some parallels, but not an exact match. I think for the Temple, it was more about basic spell casting magick to start, while City Magick was talking more about magickal consciousness in general.

7. Obviously there is no shortage of books dealing with magic in nature, and “City Magick” covers cities extensively. Can readers adapt the lessons in “City Magick” for life in any of the seemingly zillions of American suburbs?

I think so. In some ways, suburbs are becoming more urban now, aren’t they? The suburbs of my youth are not what they are like now. They are much more congested. So I think the basic idea of attuning the spirit of place, no matter where you are, applies anywhere and anytime.

8. You recently designed spell charms/coins for Deva Designs. Can you tell my readers a little bit about them and where they can find them?

I was approached by the owners of Deva Designs to help co-create a magickal line of products that would serve the Pagan communities and beyond. Deva Designs has a stellar reputation of making magickal products at fair prices. I was always a big fan of their Ted Andrews animal coins and liked their Goddess designs. We designed fifteen spell coin pocket charms, and have release the first five – Love, Healing, Prosperity, Protection and Psychic Power. They are designed with a magickal geometry and symbolism, combining images from several different systems as used in modern Witchcraft. On the back is a spell written to activate the charm. Follow the instructions and recite the spell while holding the charm and then carry it in your pocket.

I sell them on my own website, www.christopherpenczak.com, and local metaphysical retailers can obtain them through Deva Designs whole sale and provide them to the public.

9. I know you’re always insanely busy, do you have any upcoming projects you can share with my readers?

Well, I’m super excited about the Temple of Witchcraft’s new land project. We have obtained a mortgage on a property where the founders of the Temple will be living and paying rent to the Temple. We don’t work on the traditional parsonage model even though we are a nonprofit church in the eyes of the federal government. The first floor of the house and the barn will be Temple facilities, and we are raising funds for a parking lot and barn renovation. Anyone who wants to donate, can visit www.templeofwitchcraft.org. We’ll be putting together a formal donation program for these projects soon, as they really just happened less than two weeks ago, but anyone can donate via our paypal donation button.

I’ve also completed work on two new books to be put out through a publishing company that I’m a co-partner in, Copper Cauldron Publishing. This month’s release is The Feast of the Morrighan, a book about the Celtic Crow Goddess the Morrighan. The second will be out early 2013 is called The Mighty Dead, a book on the enlightened ancestors of the magickal traditions, and most specifically, of Witchcraft.

And lastly I’m helping Laurie Cabot out with her next book, a spell book gathering her years of experiencing running a shop, teaching and pioneering her way as a Witch. It’s great to be reconnected with one of my first and beloved teachers and get such a first hand, direct teachings that we are able to share with the world.

10. Parting shot! Ask us here at The Magical Buffet any one question.

Have you tried Nettles for your allergies? They work wonders for me and my other partner, Adam.

I haven’t given that a try. I don’t know, using nature to treat my allergies……I’m suspicious of the enemy……

About Christopher Penczak:
Christopher Penczak is a modern Witch, teacher, and healer. He is the author of the acclaimed “Inner Temple of Witchcraft” series and of “Gay Witchcraft”, Weiser Books, 2003. He offers classes and workshops throughout the U.S. Visit him at: www.christopherpenczak.com.

Power Crystals

A while back I received a review copy of “Power Crystals: Spiritual and Magical Practices, Crystal Skulls, and Alien Technology” by John DeSalvo Ph.D. With a title that diverse, I wasn’t sure what to expect. It certainly had the potential to fly far afield from reality, if you know what I mean. But I was intrigued, and I had never really read anything about crystal skulls before, so I decided to give it a try. Since you’re here reading this review, it’s safe to assume that I’m glad I did.

I’m blown away by the depth of research in “Power Crystals”. The first four chapters of the book are devoted solely to the quartz crystal; what it is, its history, psychic studies, and its use in healing. Personally, quartz is one of my favorites so I found this interesting reading. It is also in the beginning, when discussing psychic studies, where we start to see DeSalvo’s efforts to bring as much scientific study and reason into subjects that sometimes struggle to be defined by science.

Next up, the crystal skulls. How insanely fascinating was this section of the book guys? Wait, you probably haven’t read it so you don’t know yet. It was great. Again, it’s all about the detail. As I mentioned, I hadn’t really read anything about crystals skulls so the bulk of my knowledge was, “There are skulls out there. They are made of crystal. That seems to matter to some people.” Now I feel like I have a good understanding of these skulls and their allure. DeSalvo shares the skulls history and personal journeys, the attempts at scientific testing of the skulls, and much more. As far as I’m concerned, at this point I’ve gotten my quartz crystal money’s worth, but there is still more.

DeSalvo goes on to discuss scrying and meditating with crystals. Also, crystal’s use in magical rituals. He even includes The Lesser Banishing Ritual of the Pentagram! Some time is even given to examining the belief in Atlantis and its denizens’ potential use of crystals and the alleged phenomenon of crystal alien implants. It’s hard to imagine that DeSalvo left any crystal role or use unexamined!

“Power Crystals: Spiritual and Magical Practices, Crystal Skulls, and Alien Technology” at merely a touch over 200 pages (and that’s including the index!) is an amazingly in depth resource for everything quartz crystal. Upon finishing it, I immediately wanted to start reading certain sections (cough, ahem, crystal skulls, cough, cough) again. It’s a fascinating and entertaining ride designed for both the new age spiritualist and the skeptic.

Revisiting Dr. Dee

Do any of you guys remember about a year ago when I talked about the opera “Doctor Dee”? Well for those of you who missed it, Damon Albarn (best known for his work with Blur and Gorillaz) joined forces with Nigerian drummer Tony Allen, and an orchestra to do an opera about the Elizabethan era alchemist, occultist, and scholar John Dee. As a music lover and occult nerd I was immediately smitten with this bizarre idea and bummed that I wasn’t in England to see a performance. Then I learned that Damon Albarn released an album of the music titled “Dr. Dee”. It would be mine, oh yes, it would be mine.

It’s all the same players, Albarn, Allen, and the orchestra is the BBC Philharmonic Orchestra. You find songs titled, “Edward Kelley”, “The Golden Dawn”, “A Man of England”, “9 Point Star”. The music is enjoyable and atmospheric. I had never noticed, until this album, how beautifully delicate Albarn’s singing voice can be. All of that said, this is definitely not a play it every day CD, or at least not for me. It’s not the right vibe for playing in the car while running errands, not for perhaps coming out of your computer speakers while trolling around Facebook. It’s not really pop. There is no rock. It is an opera, lightly sprinkled at times with a rock musician’s voice and sensibilities. None of that is to put down the album, it’s just something that should be understood if you’re considering picking up your own copy, which would be cool if you did.

Man I wish I could see Dr. Dee live! Take a look at this short video that shows clips of it being performed along with the reactions of those who saw it.

Here’s a music video for one of the more pop-ish songs from the album called “The Marvelous Dream”.

Why John Dee? Here’s a 7 minute interview Damon Albarn did with the Guardian about Dr. Dee.

Spiritual Ecology Mystery Solved

Honestly, I can be a real asshole. Case in point, when I received a copy of “Mystery Teachings from the Living Earth: An Introduction to Spiritual Ecology” by John Michael Greer. I immediately, without a moment’s pause, tossed it aside. Nothing against nature or the earth, I thought, but I didn’t need to read another “hippy” book about how the earth has much to teach us and let’s learn her ways and live on dirt and etc., etc. I get it, nature is an awesome thing, and I do love it from the window seat in my climate controlled home, but I just didn’t need to read another book about it.

Then I don’t know what happened. I kept shuffling the book from one spot to another in the apartment. For a while its spine stared out at me from under our laptop. Then it was bumping my elbow for a few days while I was working at my computer. You get the idea. Somehow this book, no matter where I shoved it, always seemed to end up in my way. As my mom would say, “Like a pile of horse shit, always in the middle of the road.” Finally I decided the only thing left to do was to read the stinkin’ thing.

Holy crap am I glad I did.

There is no peace sign throwing, tie dyed flag waving, hippy jargon to be found in “Mystery Teachings from the Living Earth”. Instead, John Michael Greer uses some of the most basic observable things to be found in nature to explain fundamental principles of modern mystery schools. Consider me very impressed. Many apologies to the venerable Mr. Greer whom I never should have doubted.

Greer breaks down the mystery teachings to seven core principles: The Law of Wholeness, The Law of Flow, The Law of Balance, The Law of Limits, The Law of Cause and Effect, The Law of Planes, and The Law of Evolution. These may sound abstract, but by repeatedly using the familiar setting of a grassy meadow (even this allergy pill junkie can manage reflecting on a grassy meadow) these Laws become easier to understand and to relate with the others. With the addition of an affirmation, a theme for reflection, and a meditation to each Law, these Laws go from being just an informational stepping stone to a mystery practice itself.

After that Greer does an excellent job explaining what magic is like in the Western occult traditions, what it is like, or more precisely, what it should be like to be an initiate in a mystery school, a bit of context of where mystery schools are in the history of spirituality, and lastly an afterword that advises readers as to what to look for in potential mystery schools and suggests a few books.

John Michael Greer’s “Mystery Teachings from the Living Earth” is the best book I ever read for explaining the fundamentals of the Western occult traditions. You could give this book to someone who knew absolutely nothing and they would walk away with a better understanding than most. However this book isn’t just for beginners. Although not an expert or an advanced practioner I suspect that someone like that would find this book a wonderful tune up for their practice. A touchstone to some core principles to breathe a little fresh air into your system. I guess what I’m saying is buy this book, buy it now.