10 Questions with John Mabry

1. What made you decide to write “Growing into God: A Beginner’s Guide to Christian Mysticism”?

I’ve long been a student of Christian mysticism—and a practitioner, too, I might add! I was teaching a graduate course in Christian mysticism at a local university, when I realized that the only textbooks out there were either antiquated or hopelessly inept. I decided to write one myself. But because I’m me, it isn’t a textbook. I teach, but I don’t consider myself an academic. I’m a pastor—so I’m not writing for academics or even students necessarily, but for ordinary folks. My ideal reader is a Christian who wants to go deeper into her own tradition, or a non-Christian who wants to see what all the hoopla is about.

2. Readers know what I mean when I say Christianity, but what is Christian Mysticism? What is the difference?

In my mind there isn’t one. Mysticism is the very core of the Christian tradition, regardless of what denominational lens you’re viewing it through. The problem is, most Christians have either forgotten this, or they don’t recognize what they believe as being “mystical.” Mysticism is the pursuit of—or enjoyment of—union with the Divine. Since all Christians believe that they are united with God (or Christ or the Holy Spirit) in some fashion, all Christians are mystics. But unfortunately, we in the Christian tradition have done a pretty lousy job of communicating our tradition, even amongst ourselves. We’ve made it so sin-centric that we’ve sapped it of its joy—and that’s just not the way of Jesus at all. Christianity isn’t about sin or guilt or blame. It’s about life and transformation and making love to God. (There, that should get me on some Christian fuddy-duddy’s hit list.)

3. The path of the Christian Mystic has steps leading to Union. Could you describe each step to my readers

Sure. First, Evelyn Underhill describes a step zero, called “Awakening,” that kicks everything off. This is a mystical experience that just kind of comes out of nowhere and knocks you upside the head. You go, “WTF? What the hell was that?” This is kind of the “God as heroin dealer” model. The first taste is free, but you know you’ll want more, and soon you’re hooked. Which is good, because the next step is very hard. The mystics call it “Purgation” and it’s the first step in the classical model. Once you’ve had an Awakening experience, you see everything in a new light. You begin to sort through the things in your life, weighing them in light of the mystical revelation you received. You begin to let go of those things that are not congruent with your vision, and hold on to those that seem congruent. Basically, you’re sorting the illusory from the Real, based on the brief glimpse of the Real that you’ve received.

Once your done with this sorting, you can settle into a serious meditation practice, which the mystics call “Illumination.” In the Illuminated state, you see the Divine in all things. But as you go deeper, you realize that this is incomplete—that in fact, it is the other way around: all things are in God. I call this stage, “Enjoyment” because in it you really learn to enjoy the presence of God, and you sink deeper and deeper into an awareness of the Divine presence.

Finally, you sink so deep that the distance between you and the Divine disappears. The mystics often speak of this as “divine marriage” or “divinization,” but the result is the same—the illusory distinction between the Creator and the creation is dissolved, and the mystic enters into full and conscious union with the divine. But this is no sea of bliss. To be one with God means that what God wants, you want, and what God does, you do. And since God’s primary concern is to heal everything that is wounded or broken, mystics in full union are very busy people, spending most of their time with the poor and the oppressed.

(Question 4 was skipped because he pretty much answered it in question 3.)

5. In reading “Growing into God”, the path of the Christian Mystic doesn’t seem entirely safe. Could someone attempt this by themselves with just your book for guidance?

No form of mysticism is safe. People blow out their nervous systems doing Kundalini yoga all the time, when they try it out of a book. Christian mysticism isn’t as hard on the body’s electrical system, but you’re right—it’s not a safe endeavor, either. It’s best done within the context of a loving and supportive church community (there is no such thing as a “lone ranger” Christian, after all) and for best results, one should see a trained spiritual director once a month.

6. The Catholic Church features many mystics in their history, but I get the feeling if someone spoke to a bishop today and said, “I’m pursuing the path of the Christian Mystic,” the Bishop’s response would be to back away from you slowly. I guess my question is, what’s up with that?

Well, my guess would be such a reaction might have something to do with an overzealous ambition. It’s like the difference between saying “I’m thinking of going into politics” and announcing, “I’m going to be king of the world!” Going into politics is doable, being king of the world is less likely. And so it is with mysticism. The truth is that all Christians are called to be mystics, but few ever reach the “finish line” of full union in this lifetime, but the good news is, we don’t have to. As St. Therese of Lisieux of Liuseaux said, “All the way to heaven is heaven.”

On the other hand, if most Christians knew their own tradition better, we’d all own up to being “on the mystics’ path,” and there would be far fewer raised eyebrows. Still, your fictional bishop should know better. Instead of backing away, he should clap a hand to your shoulder and say, “That’s a wonderful thing. I’ll be praying for you.”

7. Can Union be compared to the Buddhist concept of enlightenment? Is this path just for Christians?

The stages of the mystical journey are roughly the same in most religious traditions. If you conceive of the Buddhist Noble Eightfold path as a linear model of spiritual development, and compare that to the model laid out in the Hindu Yoga Sutras of Pantanjali, and compare that with the Christian model of Purgation, Illumination, and Union, you’ll find amazing similarities. The Hindu and Christian models are the closest. The Buddhist model does things in a slightly different order, but all the pieces are there. Of course, each tradition uses a different vocabulary, different metaphors and symbols to describe this journey, but the journey is basically the same. In my book I’m describing the journey as Christians have experienced and spoken about it. But when you strip away the symbols and language and cultural baggage what you find is the same journey of the soul—a human journey.

8. Can you tell us about one of your favorite mystics and why they’re a favorite?

I have so many favorites! I especially love Julian of Norwich, though, because her visions are so rich, so emotional and loving, and they also challenge the theological notions of her time, albeit in a cannily diplomatic way. But I also love the practical mysticism of Charles Williams. His “occult thriller” novels are masterpieces of both horror and theology. I wouldn’t be doing what I’m doing today if not for his influence.

9. What’s next for you? Any more books?

Yes, there are always more books! I have a new one coming out from Morehouse/Church Publishing titled Faithful Generations: Effective Ministry Across Generational Lines. I’m also polishing a Christmas novel, and hope to soon start work on a sequel to my horror/comedy/adventure novel, The Kingdom. Meanwhile, my progressive rock band, Mind Furniture, just did our first gig and we were blown away by the positive response we get, so we’ll probably put some energy into more live shows, even as we continue working on our next CD. Our last CD is called Hoop of Flame, and it’s on iTunes, so I hope you’ll check it out. It’s got a great hymn to Shiva, and a rock opera where we put God on trial for his crimes against humanity. It’s a kick!

10. Part shot! Ask us here at The Magical Buffet any one question.

Have you done any articles on Christo-pagan/Christo-Wiccan rituals or communities? I’d love to read that, if so.

I haven’t, but I’d love to. There are so many topics out there, so little time it seems. A great place that has discussed it from time to time along with a ton of other fascinating topics is The Wild Hunt website.

About John R. Mabry, PhD:
John R. Mabry is a United Church of Christ minister and pastors Grace North Church (Congregational) in Berkeley, CA. He teaches spiritual guidance and world religions at the Chaplaincy Institute for Arts and Interfaith Ministry in Berkeley and at the Institute of Transpersonal Psychology in Palo Alto. Among his books are “The Way of Thomas”, “Faith Styles”, and “Noticing the Divine”.

Geek Month in Review: October 2012

By JB Sanders

Onwards to Halloween!

What’s Invisible? More Than You Think.
Great educational (but fun!) animated TED talk about what you can’t see and other random weird things.

How to Survive a Plane Crash
Watch news footage (and some commentary) of safety experts crashing a big jet into the ground, and see what effect where you sit and what you do to prepare for the crash can do for you.

Molotov Cocktail in Slow Motion
Very cool flame blossom on this super-slo-mo video of a molotov cocktail thrown against the side of a house.
Obviously, don’t try this at home without a company of firefighters and an ambulance handy.

And for reference, the Molotov Cocktail got its name during Winter War between the Soviet Union and Finland. It was not complimentary to Mr Molotov.

Stop-Motion LEGO Dr Strangelove
And you’ve already clicked on the link, haven’t you? If you haven’t, it’s part of the war-room scene.

Safest Country in Europe?
Albania: home of 750,000 bunkers. Seriously. That’s one bunker for every 4 Albanians. Apparently the paranoid dictator who ruled there had them built between 1967 and 1986. They’re being repurposed as restaurants, nightclubs, tattoo parlors, and storage facilities.

Dr Who a Religion?
Video posits whether Dr Who fans constitute a religion. Interesting discussion, and no spoilers.

Enjoy Rain Without the Wet
A new 3D art installation at London’s Barbican Centre fills a room with rain — except where each visitor is standing. No running, though, or the detection systems that prevent rain from falling on you won’t be able to keep up.

Behind the Scenes Photos: Raiders of the Lost Ark
See Lucas and Spielberg before the billionaire years. See laughs. See the way they did the melting faces.

How to Control Your Own Dreams
Ever wondered how to control your own dreams? To perform Lucid Dreaming? Wonder know more!
(Controlling the dreams of others is covered in a different video.)

Does D&D Make You More Successful?
This question posed by the IDEA channel guy and then discussed. LOTS of geeky gaming references contained within!

Underwater Atomic Explosion for Your Files
Apparently a lot of the footage taken of the early atomic experiments has been declassified and put up on YouTube. This one is an underwater explosion, with a ship in the foreground for scale.

Are We All in a Computer Sim? Ask Physicists!
It is all really just the matrix/system/virtual world? Cosmologists and particle physicists are looking for the answers in some high energy cosmic rays. Extreme science geekiness within.

Two Suns? Pshaw!
How about 4 suns? There’s a planet out there, just discovered, which has four suns: two in it’s own binary system (which it orbits) and another binary star pair that orbits the first binary pair. Woo!

Alpha Centauri Has an Earth-like Planet
The nearest solar system to ours apparently also has a planet Earth-sized. That is SUPER handy, and not just for all the scifi that now becomes possible.

The Science of Blushing
Ever wonder why people blush? I mean, besides putting their foot in their mouth or when someone makes a rude suggestion. Here’s the science.

You’ve Never Seen Lightning Like This
Watch a video of lightning capture at 7,207 frames per second. Yes, you can see just about everywhere it goes. No sound, so feel free to watch it anywhere.

And Speaking of Lightning
Here’s a great article on various lightning safety tips and myths, with some great links (including that previous video of a slo-mo lightning strike).

What You Know About Galaxy Formation is Wrong
Astronomers are discovering that what everyone generally thought about how galaxies form and change over time is wrong.

Original Star Trek Goodness
So here’s a poster-sized picture of practically every major character to have appeared in the original Star Trek series, plus tons of bad guys and ships, too. Enjoy!

70’s Scifi and Superheroes of Television
While we’re on the subject of giant posters of scifi, here’s a character and ship from every scifi or superhero thing made in the 1970’s (same artist). See how many you can identify.

About John:
John’s a geek from way back. He’s been floating between various computer-related jobs for years, until he settled into doing tech support in higher ed. Now he rules the Macs on campus with an iron hand (really, it’s on his desk).

Geek Credentials:
RPG: Blue box D&D, lead minis, been to GenCon in Milwaukee.
Computer: TRS-80 Color Computer, Amiga 1000, UNIX system w/reel-to-reel backup tape
Card games: bought Magic cards at GenCon in 1993
Science: Met Phil Plait, got time on a mainframe for astronomy project in 1983
His Blog: http://glenandtyler.blogspot.com

STUFF!

While I’ve been sitting on the sofa letting my ass get wide working my way through old seasons of “Chuck” and “Numb3rs”, and getting sucked into new television like “Once Upon a Time” and “Grimm” (Damn you Hulu!), friends of The Magical Buffet have been actually accomplishing things. So much so that I’m way past due in giving you guys the rundown on all that has been going on.

My friends at the Northern New York Paranormal Research Society have a new website going. It has many of the same features as before, like a chat room and forum, but the upgraded site now also gives them the capability to broadcast investigations live online! Nifty, right? If you haven’t checked them out before, now is the time. www.nnyprs.com

Remember Paula Chaffee Scardamalia who wrote the wonderful essay “Weaving a Woman’s Life” for The Buffet? And how she had a wonderful book, shockingly titled, “Weaving a Woman’s Life: Spiritual Lessons from the Loom”? Well that book is now available as an e-book! Also, her more current work under the umbrella of “Divining the Muse” has a beautiful new website! You can learn more about getting a copy of “Weaving a Woman’s Life” (with free PDF downloadable journal) and her other fascinating work with creativity by visiting her newly refreshed website www.diviningthemuse.com.

Apparently this is the time of year for website upgrades (Jim, get on that!), because New Age musician, and long time friend of The Buffet, Paul Avgerinos just gave the Round Sky Music and Studio Unicorn websites a complete overhaul! You may remember I just talked about Avgerinos’ “Bliss” album in October 2011. In case you’re wondering, it’s still relaxing.

There has also been interesting news out from The Pluralism Project at Harvard University. I received this press release that I think will be of great interest to many of you.

The Pluralism Project at Harvard University is pleased to announce the launch of America’s Interfaith Infrastructure: An Emerging Landscape, a website documenting and resourcing the interfaith movement in the United States. Dr. Diana Eck, a professor at Harvard University and director of the Pluralism Project explains, “While interfaith organizations play a vital role in cities and towns across America, their critical contributions to our multireligious society are often overlooked.”

The Pluralism Project has been researching religious diversity in the United States for the past two decades; however, America’s Interfaith Infrastructure: An Emerging Landscape represents an in-depth pilot study of interfaith efforts in twenty cities across the U.S. Since 9/11, interfaith initiatives on the national scene have gained prominence and are increasingly covered in major media outlets for their outstanding work, yet few have chronicled interfaith efforts at the grassroots level. This pilot project documents the richly diverse interfaith movement as it continues to develop in the United States. Initiatives include: an innovative community video project in Omaha, Nebraska; a thriving women’s interfaith network in Syracuse, New York; and a long-standing, replicable tradition of a festival of faiths in Louisville, Kentucky.

Dr. Diana Eck explains the importance of this new resource as a starting point for scholars, activists, students, and citizens:

“Ten years after 9/11, the need for inter-religious understanding and cooperation has never been greater. Interfaith organizations create innovative programs to engage and educate – they also offer a counter-narrative amidst the rising rhetoric of division. People of all ages and beliefs from across the country are collaborating in the arts, social services, youth leadership programs, and civic initiatives at unprecedented levels. New forms of dialogue are emerging as we speak.”

The Pluralism Project invites activists, students, educators, and community members to share their own story of the interfaith movement by submitting a short audio or written piece that may be included in the storytelling portal of America’s Interfaith Infrastructure: An Emerging Landscape.

The site, www.pluralism.org/interfaith, includes promising practices, leadership profiles, case studies, and multimedia features; a summary report of the findings from this pilot study is also available.

Lastly, (I know! Freakin’ EVERYONE has been doing stuff except me!) remember Avi Glijansky, creator, writer, and director of the awesome web series “The Further Adventures of Cupid and Eros”? Well sadly he isn’t back with season 2 yet (where I secretly hope to get a cameo as God), but he is part of something new and fun that I thought I would bring to your attention; “The Silver Lake Badminton and Adventurers Club”.

In a world full of secrets, lies, and depravity, there are some crimes that the police are just too mainstream to handle. Enter: The Silver Lake Badminton and Adventurers Club. The heroes Silver Lake deserves but hasn’t necessarily heard of yet.

It’s an over the top hipster noir Scooby Doo adventure, filled with actors you may recognize from “Cupid and Eros”. Here’s part one to try out!

I guess this is a reminder that it’s time to get up and get moving! It’s time to innovate, to reinvent, to create! I’ll get right to that after this next episode of “Chuck”.

Like an Orange

When discussing Judaism it’s generally broken down into three levels of adherence: Orthodox, Conservative, and Reform. Technically, I’m Jewish. Having only been to a synagogue a few times in my life and never having had a Bat Mitzvah, I feel safe in saying technically. The overall level of observance and philosophy I adhere to puts me about three or four levels down from Reform. It’s sort of like that t-shirt, “I’m not Full-Blooded Jew, I’m Jew-ish”. That’s not exactly how this works, but you get the point; by technical religious law I’m Jewish but I suck out loud at it. Back in 2009 I wrote a little ditty about it that shared a comic strip from one of my favorite webcomics “Least I Could Do”.

Each year my husband and I would switch off with another couple, featuring another “bad Jew”, hosting a Passover seder (a special ritual dinner done for Passover with the word seder coming from the Hebrew word for order, referring to the order of the ritual). Now that my parents have moved back to the area they’ve joined into the rotation, and although not Orthodox they’re more experienced and polished with the seder observances, but they seemed to have decided to suffer us fools gladly.

As I said, the Passover meal is a ritual, to the point where you essentially use an instruction manual to guide you through the meal. It’s called a Haggadah. It helps you retell the story of Exodus, tell you what prayers to recite, sometimes they’ll suggest songs and activities, and more. There is no one Haggadah. The first year we decided to do a Passover dinner with our friends the only Haggadah he could find was some sort of “scholar’s” Haggadah, that seder took FOREVER! After that year I asked my family to get me copies of the ones we’d always used for the next gift giving occasion. And so the next year I was prepping our first year hosting Passover using “A Family Haggadah II” by Shoshana Silberman.

I had never actually sat and read the Haggadah’s commentary before, but when I did I stumbled across something that became an immediate tradition in our household and then our friend’s. The Passover table features a seder plate containing symbolic foods that are displayed and eaten during the course of the meal. (For example, bitter herbs represent the bitterness of slavery that the Jewish people endured in Egypt. That kind of thing.) When reading “The Seder Plate” section of Silberman’s Haggadah I found this:

Some families have adopted the custom of placing an orange on the seder plate. This originated from an incident that occurred when women were just beginning to become rabbis. Susannah Heschel, lecturing in Florida, spoke about the emerging equality of women in Jewish life. After her talk, an irate man rose and shouted, “A woman belongs on the bimah (pulpit) like an orange on the seder plate!” By placing an orange on the seder plate, we assert that women belong wherever Jews carry on a sacred life.

And so each year, despite having to look up what goes on the seder plate (Hey, I said I was a bad Jew!) I always remember I need an orange. I suppose it’s fun to feel like I’m flipping a citrusy middle finger to the narrow minded, and that’s why I liked it initially. However I think the reason it resonates with me this year, and perhaps why this year I felt compelled to share it with you (Considering this will be what, six Passovers since I’ve had this website?), is I think I needed a reminder that Judeo-Christian religions are capable of evolution and change.

In watching the news lately I have been so bombarded by religious politicians that appear to be absolutely intractable in beliefs that are growing more outdated by the minute. It is just nice to think that a religion as old as Judaism has a bunch of people putting oranges on seder plates, a ridiculous idea (If you own an actual formal seder plate there is no spot to even make an orange fit!), but they do it anyway because of what it means to them. In doing so, they share that belief with their friends and family and they carry that home with them to share with others.

In a bit of postscript, I stumbled across this info on Wikipedia:

Since the early 1980s, a custom has arisen (especially among more liberal and feminist Jews) to include an orange upon the Seder plate. This custom is often falsely explained as having arisen in response to a man who confronted a Jewish feminist who was giving a speech and opposed the right of women to become rabbis, supposedly declaring that women had as much place on the bimah as an orange had on the seder plate. However, Susannah Heschel, a Jewish scholar who began this custom, has explained it as a symbol of the fruitfulness of all Jews, including women and gay people. After hearing that some college students were placing crusts of bread on their seder plates as a protest against the exclusion of homosexuals from Judaism, Heschel substituted the fruit (originally a tangerine) on the plate instead.

If this is the true origin, it still works for me, because a person who doesn’t believe that a woman or homosexual is entitled to a fruitful life (including Jewish spirituality if they choose it) belongs at my seder dinner like an orange on the seder plate. And you can quote me on that.

Copy and Seed

Just before Christmas the Swedish government agency Kammarkollegiet registered the Church of Kopimism as a religious organization within their country. Kopimism, founded by 19-year-old philosophy student Isak Gerson, claims that “kopyacting” – sharing information through copying – is akin to a religious service.

Gerson, in a statement quoted in a January 5, 2012 BBC article says, “For the Church of Kopimism, information is holy and copying is a sacrament. Information holds a value, in itself and in what it contains and the value multiplies through copying. Therefore copying is central for the organisation and its members.”

The BBC article goes on to state, “The church, which holds CTRL+C and CTRL+V (shortcuts for copy and paste) as sacred symbols, does not directly promote illegal file sharing, focusing instead on the open distribution of knowledge to all,” But that, “Despite the new-found interest in the organisation, experts said religious status for file-sharing would have little effect on the global crackdown on piracy.”

I’m always intrigued by the idea of new religions and this one is certainly a good time. I’m not sure how I feel about the BBC applying quotes to the title of spiritual leader when referencing Isak Gerson, I mean the story is how the religion was officially recognized. On the other hand, I love how the BBC keeps thumbing their noses at Myanmar by calling them Burma, so can I get too bent out of shape when they get cheeky with a month old religion?

A trip to the Swedish website reveals a lot of excitement and enthusiasm. And a lot of stuff I can’t read! However a healthy chunk of the content is in English, and there is a link to a just starting out site for the United States. Although keep in mind that Kopimism is only officially recognized as a religion in Sweden.

Of course what you’re really asking yourself is, can Kopimism be a “real” religion? A religious philosophy founded on the idea that information intrinsically has value and that copying the information is an important task, increasing the value of the information and insuring the information’s survival in the vastness of the internet? There are certainly stranger things out there, we’ve got deities made out of pasta for His Noodly Appendaged sake!

Is it “real”? Is it teenage idealism? Is it a hustle? Only time will tell, that’s why it’s so much fun.

The Feast of the Ladies of the Night

Most readers know that I’m a pretty big fan of author Claude Lecouteux, and that his latest book, “Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead” may very well be my favorite. In fact, it was one of my favorite things of 2011! However, in a book full of interesting history, legends, and folktales, there was one particular section that really stuck with me since I read it; “The Good Women Who Roam the Night”.

Lecouteux’s writing is dense, rich with the fruits of exhaustive research. I couldn’t hope to do a summary that would even come close to doing justice to the man’s work. Instead, let me ditch the scholarship and attempt to explain why after reading “Phantom Armies of the Night” I decided this holiday season to leave food and drink out for The Feast of the Ladies of the Night.

I’m guessing it’s an idea not exclusive to the Middle Ages, nor to the German speaking countries of the era, but there had been a belief that there were a troop of women who would roam the night. Specifically they would travel during the holy nights between the birth of Jesus and the night of Epiphany. Led by Dame Abundia and Satia, or Fraw Percht or Perchtum, these ladies would visit homes. If the households had chosen to leave out food and drink for the ladies to feast on (being sure to have all containers open), the homes would be blessed with prosperity and abundance for the next year. Needless to say, the Church wasn’t a fan of such customs. At best they considered the practice a misguided superstition, at their most assertive the Church worked to recast these Good Women as minions of Satan, eaters of babies and corrupters of households.

I’m no stranger to mythologies, religions, or folktales, but for some reason the plight of these Good Women touched my heart. Not only had they been forgotten by so many, but to potentially be remembered as something so perverted from your true nature? It seemed like not such a big deal to set out a little something and take a moment to remember them as they were intended.

My Feast for the Good Women

Old Sir Christmas

By John Matthews and Caitlin Matthews from their book The Winter Solstice: The Sacred Traditions of Christmas (used here with the Quest Books permission)

The Birth of Santa Claus

His story is a complex one. Many will know that Santa means saint, and is of modern usage. Others will tell us that the nearest point of origin for Santa Claus – in time, anyway – is St. Nicholas of Patara, a third-century Bishop of Myra, near the present-day village of Demre in Asia Minor. Born in Turkey to a wealthy family around A.D. 270 he became well known for his anonymous gifts to the poor. Tradition has it that he left these offerings in the houses of selected recipients, sneaking in during the night to leave money or food in the shoes or stockings of children – though it is doubtful whether they would have worn either in that hot land, assuming they could afford such luxuries anyway. However, such is the tradition, and it is from this that we derive the custom of hanging stockings by the fireplace, while in various countries such as Austria, Germany, Switzerland, Belgium, and Holland, December 6th, St. Nicholas’s official day, is also Children’s Day, and is considered just as important as Christmas Day itself. In fact, it is only in comparatively recent times that we have conflated the two dates – the 6th and the 25th – making the latter a general festival for the exchanging of gifts.

Good Old Saint Nick

If we go back to the Middle Ages, about 1,200 years after St. Nicholas actually lived, we can see how this might have begun. In the words of Naogeorgus, the author of the Latin Vita Sant Nicolai (Life of St. Nicholas):

The mothers all their children
on the eve do cause to fast,
And when they every one
at night in sense sleep are cast,
Both apples, nuts,
and prayers they bring,
and other things beside,
As caps, and shoes, and petticoats,
with kirtles they hide,
And in the morning found,
they say: “St. Nicholas
this brought.”

This has most of the ideas that we associate with the figure of Santa Claus, but there is another, stranger story told of St. Nicholas, which actually points the way to his true origin far more clearly:

An Asiatic gentleman, sending his two sons to Athens for education, ordered them to wait on the bishop for his benediction. On arriving at Myra with their baggage, theytook up their lodgings at an inn, proposing to defer their visit till the morrow; but, in the meantime, the innkeeper, to secure their effects to himself killed the young gentlemen, cut them into pieces, salted them, and intended to sell them for pickled pork. St. Nicholas, being favoured with a sight of their proceedings in a vision, went to the inn, and reproached the landlord with the crime, who, immediately confessing it, entreated the saint to pray to heaven for his pardon. The bishop, moved by his confession and contrition, besought forgiveness for him, and supplicated restoration of life to the children. Scarcely had he finished, when the pieces reunited, and the resuscitated youths threw themselves from the brine tub at the feet of the bishop; he raised them up, blessed them, and sent them to Athens, with great joy to prosecute their studies.

A.T. Hampson: Popular Customs and Superstitions of the Middle Ages

On one level this story may be regarded as nothing more than a pious anecdote illustrating the sanctity and goodness of the saint. But there is more to it than that. The notion of a person being dismembered and put back together, as portrayed in this tale, again derives from a far older time, and when it is placed in conjunction with certain other factors, a surprising new image begins to appear that has all the characteristics of the traditional Santa without any of its later overtones of bishops and Christianity.

The Gift Givers

In comes I, Old Father Christmas.
Welcome – or welcome not,
I hope Old Father Christmas
Will never be forgot.

The Longparish Mummers’ Play

Santa Claus is really only the latest of many figures which have come to be associated with bringing gifts on the night of December 25th. In France presents are given on New Year’s Day and called entrennes, a name that can be traced back to the strenae, green branches, exchanged between people at the Roman feast of the goddess Strenia. In Sicily it is an old woman named Strina who brings gifts at Christmas, continuing a tradition that began in the days of the Roman Empire.

The figure who stands behind the jolly old man of Christmas is older even than this, however. In fact, his story takes us back to the beginning of recorded history, when some other characters climbed up trees of a different kind, and returned with gifts for everyone. These were not toys or perfume or watches, but messages concerning the year to come, or the turning of the seasons, or the fate of the world. These people were the shamans, who performed the functions of priest, historian and record keeper, scientist, and magician. Of course there were shamans all over the world, and in most cases they performed the same or similar functions, but, for obvious reasons, it is those who originated in the far North – anywhere from Lapland to Siberia– that interest us most in this context. It is these people who often wore bells on their ritual costumes, who shinned up the central polesof their skin tents, and who returned with the gigts of prophecy and wonder from the Otherworlds. Its is to these people that we have to look for the first appearance of the figure who, thousands of years later, evolved into the jolly old man of Christmas himself, Santa Claus.

If we look for a moment at some of those similarities we can catch a glimpse of the evolution of one into the other. If we dip our hands into Santa’s sack – so like the shaman’s bag of tricks – the first thing we find are the bells that jingle on the harness of the eight magical reindeer. Contemporary accounts of northern shamans, including those of the Altaic and Buryat regions of Siberia and those of the Finns and Laplanders, again and again emphasize the importance of bells in their traditional costumes. These form a double function; as noise-makers to announce the presence of the shaman as he enters the spirit world, and to frighten off any unfriendly spirits who might be lying in wait for him. In addition, iron disks representing the sun or curved in the shape of the moon represent the importance solar and lunar rites among these Northern people– and important point in our consideration of the Solstice itself.

Red Robes and Firelight

Reaching into the sack again we find a red robe or cloak, trimmed with white. Many authorities on shamanic tradition have commented on the importance of the color red in the shaman’s costume. This is, on one level, significant of the sacred blood that links all human beings and that is also perceived as a link between humans and animals, and between the shaman and the earth. It is also, of course, a symbol of fire, that most powerful of magical weapons, as well as the gift of warmth and life to all, especially significant in such cold lands as those we are considering here.

Next in the sack we find a burning brand that signifies the eternal light and the warmth without which all life would perish. The shamans possessed this gift of fire, which initially perhaps they alone had the power to kindle (the number of flint fire-lighters found among shamans’ bundles alone is enough to suggest this) and which was a gift they brought to the tribal people they served. It was believed that these gifts were entrusted to them for the people by the gods and spirits of the land. Here, the symbolism of red fire in the white desert of Winter is a vital image. Is it stretching the point too far to see an echo of this in the red and white costume and white beard of a certain other figure? Certainly the importance of these colors throughout the northern world is beyond question.

Dipping into the sack again we find reindeer with bells on their harnesses, who can fly through the sky and cover vast distances in no time at all. This is yet another echo of the shaman’s journey into and through the heavens, in search of the gifts of fire and prophecy. In addition, there is the obvious importance of reindeer to the people of Lapland and Siberia is obvious. To these people the reindeer not only provided a source of food but also skins for clothing and tents, sinews for thread, bones for needles, and, when rendered down, fat for rush lights and
glue to mend pots and fix spearheads in place.

So Santa is an old man dressed in red who comes out of the dark forest of the North on a sleigh pulled by reindeer. It is significant then that the shamans hunted the reindeer, ran with them in spirit Corm, drew their shapes on rocks with red ochre as a means of capturing them, even saw them as a symbol of the newly born sun of Midwinter. A wonderful modern poem speaks of the hunting of spirit deer, who, impervious to the hunter’s arrows, were a symbolic reference point for hunting the real creatures:

A red deer comes over the hill,
Shoot your arrows as you will,
The deer will stand there still!

Alison Mcleay: Solstice

The Shaman in the Tree

Consider the image of the shaman climbing down through the smoke hole of a skin tent with bells jingling, bearing in his hands a red painted wooden reindeer. The shamans saw to it that the sun returned from that point when, at the very edge of the horizon, it dipped and, for a moment, was gone. Then, summoned by the ancient language of the elements, it returned. Sun images were hung on a tree, that also formed the central pole of the tent and represented the axis of the world, the connection which leads to the heavens the final destination of the shaman who was, indeed, the midwife of the sun.

Imagine some of the questions asked of the shaman. As Alison Mcleay put it in her wonderful evocation of the Solstice in a radio broadcast she made in 1985:

Shaman, will the sun be reborn?
Will we have a good harvest?
Will we catch enough fish, will
there be enough meat to eat,
will the reindeer drop enough
offspring to keep us through another year?
What will the new year
bring for us, for me?
Tell us, shaman, make your
journey and bring us the
gifts of your seeing?
You are the bringer of gifts,
the protector, the magician,
the future is yours to see, the
gifts of the future and the past
—tell, us shaman, tell us.

Sacrifices were hung on the living tree: animals, birds, perhaps once even humans, such as Odin hanging on the windy tree of Yggdrasil to bring back the gifts of the runes. Odin’s eight-legged horse Sleipnyr may also be linked with Santa’s sleigh and its eight reindeer. And that song – next out of the sack:

0 the rising of the sun, and the running of
the deer, The playing of the merry organ,
sweet singing in the choir

The Holly and The Ivy

These are old images, stolen by a later time, and reflect two aspects married under the Solstice tree: the running deer who were the totem creatures of many different Northern tribal groups, and the singing of carols in the stone forests of the Christian world. The old ways were not wholly forgotten, not even after the coming of the Christ child, who brought the gifts of light and eternal life to the world, and who received gifts from the wandering wise men – the Magi of biblical and pre-biblical tradition. They too contribute to the image of Santa the gift bringer, and, as we have seen, there is more to them than meets the eye.

About John Matthews:
John Matthews is an international authority on Celtic folklore, the Western mystery tradition, and the Grail legends, and is one of the great culture-bearers of our times. He has written over forty books on the Arthurian legends, esoteric wisdom, and the Grail. His Quest Book “The Winter Solstice” won the Benjamin Franklin Award in 1998. With his wife and frequent coauthor Caitlin, John established the Foundation of Inspirational and Oracular Studies. To visit the author’s website, www.hallowquest.org.uk

10 Questions with Kenaz Filan

1. For my readers who may not be familiar, what is Voodoo?
Voodoo is a family of spiritual and magical practices which draw inspiration from the religions of Dahomey – an area comprising modern-day Benin and parts of Togo. Both in Africa and in the African Diaspora, they have incorporated many other traditions as well: there is a strong influence from Kongo and Bantu (central/southern African) and Yorubaland (modern-day Nigeria), combined with a large helping of Freemasonry and Roman Catholicism. Among the traditions which arise from this root are Vodu Dominicano and Vodu Cubano (Cuban and Dominican Vodou), Haitian Vodou, Beninois Vodun, and New Orleans Voodoo.

2. What drew you to Voodoo?
In 1994 I encountered a spirit who identified himself as “Legba” and who told me I was going to become an initiate in Haitian Vodou. At that time Vodou was not really accessible to non-Haitians living in the US, and so I was skeptical.

Then, in 1999, as Vodou was becoming more popular, Legba showed up again and told me it was time for me to travel to Haiti. I informed him that this would be impossible since I had a job and a long-term girlfriend. Within a few days my boss died and the law firm closed. I came home to tell my girlfriend that, only to discover she was moving out and moving in with a guy she met at her job. My path thus cleared, I was able to travel to Haiti and get a lave tet from Danise David of Cyvadier: in 2003 I was initiated by Edeline St. Amand (Mambo Azan Taye) and Hugue Pierre (Houngan Si Gan Temps) in Société la Belle Venus #2 of Jacmel, Haiti and Brooklyn, New York as Houngan Si Pwen Coquille du Mer. And so my journey to Gineh began.

3. How does the Voodoo of New Orleans differ from Haitian and other schools of Voodoo?
Much modern day New Orleans Voodoo begins with Charles Massicot Gandolfo, proprietor of the New Orleans Voodoo Museum. Inspired by Robert Tallant’s 1940s work on New Orleans folklore and religion (Gumbo Ya-Ya, Voodoo in New Orleans and The Voodoo Queen: a Biography of Marie Laveau), Gandolfo’s Voodoo Museum aimed at the tourist trade: he hired practitioners of Santeria, Palo Mayombe and other African Diaspora traditions as well as initiates in Haitian Vodou to work for him. He also, in the best New Orleans tradition, was never one to let the facts get in the way of a good story.

As a result, many people complain that New Orleans Voodoo is a creation for tourists and doesn’t have authentic “roots.” But New Orleans rootworkers have always done a lot of business aimed at the tourist trade – the Crescent City has always been a tourist town, and people came to get mojo hands, gris-gris bags and other spells designed to bring back lovers and ensure gambling luck.

I’d even argue that this only serves to make New Orleans Voodoo an authentically American spiritual tradition: America has never been good about keeping business and religion separate. A religion which began as a money-making venture aimed at the tourists, but which went on to become a serious and even somewhat respectable spiritual tradition – how American is that?!

4. Your latest book, “The New Orleans Voodoo Handbook”, contains a whole lot of information about New Orleans aside from its Voodoo. The history, the music, and the food all feature prominently. How much influence did these factors have on what is considered New Orleans Voodoo today?
Blues music can be traced back to the Griots of Mali; gris-gris bags come from the “gerrygerrys” carried by the Mande slaves who were brought to New Orleans Voodoo is a product of its culture – or more precisely, of a unique blending of cultures.

5. New Orleans in the past and present has been the home to an amazing cast of characters. Who are a few of your favorite New Orleans people and why?
I am very impressed by Sallie Ann Glassman and Priestess Miriam Chamani. Both are strong, intelligent independent women who heard the Crescent City’s call and answered it. (Sallie Ann is from Indiana, while Priestess Miriam is from Chicago). Both have added new strains of magic to the local practice – Sallie Ann is strongly influenced by Thelema, while Miriam learned Belizean folk magic from her late husband. And both have given back a great deal to the community.

Fred “Chicken Man” Staten was an… impressive… fellow. Long before Ozzy Osbourne did his dove-decapitating trick, Chicken Man made a name for himself biting the heads off chickens. Yet beneath his sideshow geek exterior was a sensitive and tender-hearted fellow (save where chickens were concerned, I guess) who regularly offered aid and counsel to lovelorn tourists and to kids growing up on the Crescent City’s mean streets. He was scorned by many as a “mere showman” – but they forgot that Marie Laveau held dances for bored locals!

As far as New Orleans writers go, my all-time favorite is John Kennedy Toole. Confederacy of Dunces is far and away the greatest book about New Orleans and its ever-changing cast of characters. Ignatius J. Reilly, the book’s protagonist, is one of the greatest literary creations since Don Quixote.

6. The book you wrote with Raven Kaldera, “Drawing Down the Spirits: The Traditions and Techniques of Spirit Possession” features a lot of personal experiences. Did you two ever discuss how much of your own lives you were willing to share?
That is always an issue with me. I’m by nature a private and introverted person: I would rather write about facts, figures and events than share my deepest feelings with the world. Yet in “Drawing Down the Spirits” we found ourselves describing our experiences and providing a lot of sometimes unflattering personal information.

Ultimately, we decided the most important thing we could do with “Drawing Down the Spirits” is provide a guide for people who were experiencing trance possession. This meant we needed to talk about our mistakes so that they didn’t repeat them: it also meant that we had to describe some of our personal interactions with spirit. This wasn’t always a comfortable or an easy process, but I think we did a reasonably good job of describing trance possession for an interested audience. Hopefully some of our readers were able to learn from our errors and go on to make new errors of their own 😉

7. What do you feel is the biggest misconception about Voodoo? Would you like to take a moment here to clear it up?
Where to begin, where to begin? How about I list a few of the big ones:

Flesh-eating zombies come from George Romero, not Haitian Vodou. In Haiti a zombie is typically someone who has been “zombified” through drugs and ritual and who works as a manual laborer. I’ve also seen the term used to describe the spirit of a dead person who is called upon to do magical work I love Night of the Living Dead as much as the next guy – but it’s not Wade Davis’s Serpent and the Rainbow. (And while we’re on the topic, Davis’s book is fabulous but the Wes Craven movie it “inspired” is truly awful – Wes should have stuck to Elm Street and stayed away from Haiti).

“Drumbeat-driven voodoo orgies” are not part of Vodou. The only time sex and magic get mixed in Vodou is before fets or after initiations. You are expected to refrain from sex for 24 hours before a fet (spirit party) and 41 days after your initiation. So it’s not about licentious behavior but about abstinence! The problem is that black people have traditionally been eroticized by uptight Protestants: they saw people dancing and figured it had to have something to do with sex since “everyone knows those colored folks are hot-blooded.” (This isn’t just distasteful, by the way: it’s outright dangerous. Lynching was justified as a way of protecting white maidens from lust-crazed black men, while rape of black women was justified by saying “those savages don’t place any value on chastity.”)

Perhaps my biggest concern is the idea that you have to be initiated in Vodou to serve the lwa. This started when one notorious online personality decided to make a career out of selling Vodou Initiation Tours. The fact is that most people do not need the responsibilities that come with initiation to the Vodou priesthood, and they certainly don’t need to spend thousands of dollars to light a candle for the spirits. The Priesthood should be the culmination of one’s service to the lwa and entry into the next level, not the beginning.

8. Jambalaya, pralines, or beignets?
It depends. I don’t generally have that much of a sweet tooth, but I make an exception for pralines. Jambalaya is a rib-sticking bowl of pure nutritional goodness, depending on who is cooking it and what they threw in today’s batch. And beignets are the perfect accompaniment to one of the Big Easy’s greatest specialties – coffee with chicory.

9. What other projects are you working on that my readers can be on the look out for?
I’m working on a follow-up to “Drawing Down the Spirits” with Raven Kaldera. This is tentatively titled “Talking with the Spirits: a Guide to Personal Gnosis”. After that I’m hoping to follow up “Power of the Poppy” with a guide to stimulants in historical and contemporary culture – that book has the working title: “Speed: 4,000 years of Life in the Fast Lane”. And after that who knows: inspiration strikes when and where it will and we never know where it will take us.

10. Parting Shot! Ask us here at The Magical Buffet any one question.
What subject(s) would you like to see me cover next? Writing is a lonely business: it’s hard to determine what your audience wants and easy to take it personally when your work gets a less than enthusiastic reception. I’m always interested in hearing what people want to read and writing something that meets their needs.

I’m thrilled to hear you’re doing a follow up to “Drawing Down the Spirits” with Raven Kaldera and I’m very interested in the book about stimulants that you’re working on too! I love the historical context that you give to the subject matter of all or your books, which means that if you find something interesting enough to write about it, odds are very good that I’m going to want to read it!

About Kenaz Filan:
Kenaz Filan is the author of six books through Inner Traditions/Park Street Press, the most recent being “The New Orleans Voodoo Handbook”. The former managing editor of “newWitch” and an initiated Houngan Si Pwen in Haitian Vodou, Filan has written about Haitian Vodou, trance possession and the shamanic and medicinal uses of poppies. Filan has also published essays in various magazines, including “Renaissance” and “Mysteries” and is a regular contributor to “Witches and Pagans”.

You can learn more at http://www.kenazfilan.com and http://kenazfilan.blogspot.com.

10 Questions with Jordan Stratford

1. What is alchemy?
Well, obviously it’s a lot of things. But I think in essence it’s the practical and theoretic Natural Philosophy of the West, deriving from ancient Egyptian culture. The word “alchemy” means “of Khemet”, from khem meaning black – as in the black, fertile soil of the Nile Delta. This culture had a world-view that bore with it certain assumptions about the experiential universe, about meaning and the immanent divinity within the material world. Alchemy is and was about cracking open our experience of the material to discover the divine, and to discern meaning from that.

2. How is alchemy relevant in this modern era?
When we speak of modernism, that’s its own set of cultural assumptions that didn’t just emerge from itself. The roots of our world-view dig through the strata of Rome and Greece and Egypt and Sumeria, and the fossils of these cultures populate our everyday lives. The days of the week named after Woden and Thor and Freya, Saturn, Sun and Moon. Months of Janus and Juno and Mars. So understanding the past gives us a firmer footing in the present. Additionally we live in an age where science informs almost every aspect of our lives, and that science has its heritage in alchemical study. Newton called himself an alchemist.

The current dialogue and tension between science and religion strikes me as wholly artificial. Both shed light on aspects of human knowing, just as poetry and prose do not negate one another. What’s up for grabs is the role of meaning in the face of an exclusively materialist take on science which excludes meaning, or even the question of meaning. Alchemy contributes a scientific model which places meaning at its heart. We shouldn’t be so quick to get rid of that; I think we might need it later.

3. What personally drew you to study alchemy?
Jung. He empathized with the work of the alchemists in their goal of attaining understanding as a means of healing. Where their pursuit was general – healing the world, healing the human rift with God – his was particular, healing the patient through a discovery of their own archetypal landscape and the forces shaping this. Jung also identified alchemy from the late Middle Ages through the early modern era as the bridge to the Classical understanding of the universe; the NeoPlatonists, and back to the Gnostics. As a Gnostic, for me, this is tracing the breadcrumbs home.

4. How did “A Dictionary of Western Alchemy” come about?
Entirely by accident, to be honest. It began as scraps of notes I kept while wandering through these compelling, bizarre, encrypted original source texts. When a particular symbol or phrase or term would come to light, I’d jot a little note either in a Moleskin or a text file. After two decades, I’d amassed about three hundred of these, and began to organize their etymology, giving me something I could navigate more deliberately. It was only then that I realized that this was the germ of something others might find beneficial, and I spent the next few years identifying and filling in the gaps. Then of course the thing was much too big, more of an anemic encyclopedia, and I scaled it down to something concise and more easily accessible: a dictionary.

5. Traditionally alchemists shrouded their work in symbol and code. Do you feel someone using your dictionary in the course of studying alchemy is “cheating” the system?
The purpose of encryption was I think twofold: one was more pedestrian in nature, which is about protecting commercial, intellectual property. The cat’s out of the bag in that regard. If you want a process for polishing cotton so that it resembles silk – and this was one of the biggies – you can find that in seconds. Likewise was the formula for making potable gold. As to the second reason, it was to approach the subject with a sense of otherness, a sense of the sacred. But I feel this is still possible if the study of alchemy is done mindfully and with intent. So it’s not so much cheating as hacking. Here’s a tool, get in there, see what you can make of it.

6. How accurate of a portrayal of an alchemist do you feel Professor Snape from the Harry Potter series is?
Ha! I actually invoke Snape in my book’s Introduction. It’s not a bad start, actually, this image of Snape. He’s taking intangible concepts like luck or fame or fear, and making them finite, bottling and putting a stopper on them, in order to use them to solve a very real problem. The fact that he’s a literary character is a bonus; story and narrative and allegory are all vital components of alchemical Work. I think it does get to the core of it, despite all the additional stuff that goes along with him being in a children’s book.

7. You also wrote “Living Gnosticism: An Ancient Way of Knowing”. Do you find any similarities in the study of Gnosticism and the study of alchemy?
In perhaps the most famous Gnostic text, The Gospel of Thomas, Jesus says

Split a piece of wood; I am there.
Lift up the stone, and you will find me there.

So the material world isn’t in its natural root divine, but it functions as a vehicle for the divine. This subtle distinction is frequently mistaken for dualism, but it’s much richer than that, much more hopeful. And this is really the crux of alchemical thinking: there’s a plant, which will experience corruption and decay, and there’s the idea of the plant, which pre-exists the plant and will survive its material experience. Spagyrics, or plant alchemy, says that if you take away all the parts of the whole-plant-thing that’s useful while it’s experiencing material-plantness, what’s left is something pure and infinitely refined. And this is the medicine of the plant. The parts it needs for collecting sunlight and repelling predators goes away, and the soul remains. We have the ability to access that plant-soul, to respect it and learn from it and benefit from it.

Gnosticism says, hey, there’s this whole artificial world out there, a world of clocks and pay cheques and parking tickets and status, and none of that stuff is real. We made it all up, and yet we confuse that constructed world with the real world, the primordial idea of existence and how we ought to relate to each other and to the divine. So alchemy and Gnosticism share this dialectic of content and context. And both are ultimately engaged in this process of Restoration, of healing by identifying with the All.

8. You’re an ordained priest in the Apostolic Johannite Church, could you share a little bit about this particular tradition and how it varies from other Christian traditions they may be familiar with?
The Tradition begins with the community of John the Baptist, some of whom became Christians and others who, maintaining that John was Christ, spread East. Within the group of those who later followed Jesus, most took a Platonic view of the whole thing, stressing mystery and metaphor, while others took to the emerging party line of Peter and Paul. So there’s a schism, evident half-way through the Gospel of John, where these original John followers leave and take on what we eventually label a Gnostic flavour. This group’s teachings flow through various “heretical” movements; the Paulicians and Bogomils and Cathars, debating and disagreeing and pondering the whole way.

Then in 1804, Napoleon’s doctor comes across what purports to be a mediaeval text, a slightly different version of the Gospel of John wherein John and not Peter is the successor of Christ. There’s also no Resurrection narrative. So this 19th century doctor sets out to “restore” the John Tradition, the Johannite Tradition, along Masonic lines. This church wobbles around a bit, gets some validity through the bishop of Haiti, and pops up significantly at the end of the century. Many, many independent churches share this heritage through chains of ordination and consecration, but only recently has one church made it their main focus and aesthetic, and that’s the Apostolic Johannite Church. Rather than just hang this Tradition on the wall as one-among-many, this is our principal vein of inquiry and spiritual context. You can check out the website at www.johannite.org if you like.

9. Do you have any other upcoming projects that my readers will be interested in?
I hope so. I’ve committed to doing a book on Cathars for Quest (the alchemical dictionary’s publisher) as well as a follow up to my Gnosticism book. There are also some workbooks on Qabalah and Tarot in the hopper, and I just finished shooting a documentary film about Zen meditation in youth prisons.

10. Parting shot! Ask us here at The Magical Buffet any one question.
I would ask, what’s the alchemy of the site? What’s being refined here, transmuted by these conversations, and what’s your experience of the insight gained, for you personally, spiritually, creatively?

I always say that the Magical Buffet is where spirituality, politics, and pop culture collide, with hopefully entertaining and enlightening results. I know personally it has shown me that people are people. Regardless of education, spiritual or political association, gender, race, etc. at the end of the day we usually want the same things. More often than not, that involves alcohol.

About Jordan Stratford:
Born in Prince Rupert British Columbia, Jordan Stratford studied writing at the University of Victoria, where he was influenced by the fine art of the Victoria exhibition group The Limners. He found work early on in photography and in the field of digital layout and typography, and then freelanced as a writer, publisher and interactive designer until founding Arc New Media as the Creative Director in 1994.

Stratford received his Licentiate of Sacred Theology with his ordination as a priest in the Apostolic Johannite Church in 2005 and briefly studied the DMin program at Wisdom University. He is currently pursuing a Doctorate of Ministry Studies at St. Raphael the Archangel Theological Seminary. He served as the Rector of the AJC’s Regina Coeli Parish in Victoria BC from its founding until 2008. Stratford is also an outspoken local advocate for the rights of the homeless and mentally ill.

In 2006, U.S. News & World Report interviewed Stratford along with NT Wright and Dr. Marvin Meyer for a feature article on Gnosticism, and his work has also been cited in college course material and doctoral dissertations. Additionally, Stratford has regularly contributed to blogs relating to Gnosticism, Esoteric Christianity, Paganism, new religious movements and the Independent Sacramental Movement.

Stratford is also a screenwriter, independent filmmaker and artist, and has had several art shows at Michelle Frost Gallery and Rogue Art in Victoria. Currently he supports artists, writers, musicians and filmmakers as a creative coach, and has work-shopped over 30 screenplays from concept to draft. He serves on the board of directors for the Vancouver Island Film Producers’ Association and the South Island Film Commission.

In addition to “A Dictionary of Western Alchemy”, Stratford is the author of “Living Gnosticism” (Apocryphile Press 2007) ISBN 1-933993-53-7, reviewed in the Summer 2008 edition of PanGaia Magazine.

For more information visit: jordanstratford.com & on twitter @jordanstratford

10 Questions with Claude Lecouteux

A little note here from me (Rebecca). Claude Lecouteux, in my opinion, is a certified bad ass. His book “The Return of the Dead: Ghosts, Ancestors, and the Transparent Veil of the Pagan Mind” became an all-time favorite of mine as soon as I read it. In the two years since of doing book reviews “The Return of the Dead” is still one of my favorites to recommend. Lecouteux’s latest book, “Phantom Armies of the Night: The Wild Hunt and Ghostly Processions of the Undead” is simply amazing. I’d say go buy it now but I want you to stick around because it was my extremely giddy honor to get to interview Claude Lecouteux and I want everyone to read that. Seriously, like every single person ever, because I got to interview Claude Lecouteux!

Crap, what did I actually set out here to say? Oh yeah. Claude Lecouteux is French and as such English is not his native language so some of the phrasing and use of language may seem “off”. Since the only French I know comes from the song “Lady Marmalade”, I was impressed at how good his answers came across.

1. With previous books such as “Witches, Werewolves, and Fairies” and “The Return of the Dead” it seems like much of your work has now culminated in your new book “The Wild Hunt and Ghostly Processions of the Undead”. Is that the case?

It is not the case. The field of my research is so large that I was constrained to go step by step. “The Return of the Dead” showed me the different facets of the believes connected with the death and the dead. This book was a first approach, the basis of my other investigations: I could not say and explain all the ramifications of the subject just in one book.

In “Witches, Werewolves, and Fairies” I found the answer to a question that bored me: what returns? A shape? A corpse? A soul in human form? The answer was the alter ego, the root of the believe in an external soul.

The “Phantom Armies of the Night” explores the return of troops of dead and tries to show that we are confronted with a blend of different legends which roots are the believe in a life after the life, the dangers for the livings to meet such troops, what often involves an obligation, and a warning: don’t have an unsocial behaviour, don’t transgress the moral codex of the community.

2. For readers unfamiliar with the term, could you describe what The Wild Hunt is?

The Wild Hunt is a band of the dead whose passage over the earth at certain times of the year is accompanied by diverse phenomena. The leader of that Hunt is a giant or a devil or a warning rider. Unfortunately the Wild Hunt was confused with the legend of the Wild Hunter.

3. How does The Wild Hunt differ from other troops of the dead or phantom armies that show up in folklore and mythology?

The Wild Hunt differs from the other troops through its highly Christian character and through its message: be careful in all you act! A bad life involves the damnation, the members of the Hunt are sinners.

4. With so many versions of The Wild Hunt and associated processions of the undead how did you go about sorting through all of it to find the definitive stories?

I search first the common points, then the sources of the differences, I compare all the testimonies I have found and analyze the part the Medieval church plays in the variations. A myth is the result of all its variations.

5. One of things I find fascinating in your books is how you show the role Christianity has played in shaping and/or distorting Pagan folklore. While researching your books do you find this an interesting puzzle to work out or just a frustrating obstacle in getting to the heart of a particular legend?

I found it an interesting enigma. I am like a detective investigating for traces. One of the aims of my studies is to raise the veil of the Christian distortions.

6. You kick off “Phantom Armies of the Night” discussing “The Good Women Who Roam the Night”. Although later in the book they are sometimes associated with leading unbaptized children who have died (obviously an unpleasant thought), and of course there is the mandatory demonization by Christianity, at the heart they seem like perhaps the only group discussed that doesn’t do harm or act as a harbinger of bad things to come. Is that correct, because I may opt to see if they’ll eat at my house this year.

You are right! The good woman leading a troop of dead children is not a harbinger of bad things to come. And if the good women, three in number, visit your home and if you have done what they expected, you’ll be happy and lucky.

7. My readers may not be aware, but you are French and live in Paris. Your latest book, “Phantom Armies”, was actually published in French in 1999 under the title “Chasses fantastiques et cohorts de la nuit au moyen age”. Do you get nervous about having your work translated into other languages?

I am not nervous if I can read the translation before publication. But it’s not always the case. My books were translated in 12 languages – Chinese, Czech, etc. – so that I have no control. I just understand the west and north European languages.

8. Since your work is published in France and then America, what are some upcoming projects that my readers can look forward to in either country, or both?

Jon Graham will translate two other books of mine: my analysis of the poltergeists and my Dictionary of the magical and medicinal stones and gems.

In France the next book is entitled “The poisonous maiden”, an anthology of legends and fairy tales of the Middle Ages; this is a part of my corpus of research, like my other anthologies on Werewolves, Dwarfs, Vampires and other selections I published.

The translation of Franz Obert’s “Tales of Transylvania” (collected 1856) I made with my wife will appear soon.

My last project I began 1995 is a Dictionary of the magical words and formulas; to day 1000 entries!

9. You conclude “Phantom Armies of the Night” by saying, “As you will have guessed, an investigation such as ours here is an attempt at discovery. We cannot reach a conclusion, and to reach one would be presumptuous, as long as so many texts remain to be exhumed, so many testimonies remain to be pulled from unpublished archives that are piled on library shelves.” With the book already being 12 years-old, does this mean perhaps we can look forward to an updated edition in the future?

It depends not from me but from the editors!

Karin Ueltschi, a friend of mine, wrote her PhD on the subject; I was in the jury and I can say her book (published in 2008) can be considered as the updated edition of my study.

10. Parting shot! Ask us here at The Magical Buffet any one question.

Hi! It’s Rebecca again. I think the kind of joke of asking me a question got lost in translation, so I’ll use this space to share a few final thoughts.

1. Buy “Phantom Armies of the Night”.
2. Please Inner Traditions, hurry and publish an English version of “The Poisonous Maiden”!
3. When you do publish it (soon), for goodness sake keep the title “The Poisonous Maiden”! What a great title!
4. I get a review copy of that, right?

About Claude Lecouteux:
Claude Lecouteux is a former professor of medieval literature and civilization at the Sorbonne. He is the author of numerous books on medieval and pagan afterlife beliefs, including “The Return of the Dead”, “The Secret History of Vampires”, and “Witches, Werewolves, and Fairies”. He lives in Paris.