The Living Magick Tarot Challenge: November 2010

Images Courtesy of Living Magick

A few months back I found myself thumbing through a magazine and I found an advertisement for a company I’d never heard of called Living Magick. Their ad touted the release of “self study flash cards” for astrology, runes, and tarot. I said to myself, flash cards! Brilliant! Why haven’t I seen anything like this before? The “Tarot Learning Cards” in particular really got my attention.

It’s no secret that I love me some tarot cards, but I’ve repeatedly lamented, online and otherwise, that I cannot sit down and do a basic tarot reading. I don’t feel psychically inclined so the idea of using intuition to read the cards, which seems pretty popular these days, holds no interest to me. I’ve wanted to really learn the cards and be able to give a technically correct reading. I know that kills a lot of the romance of tarot cards but what can I say, I’m an occult fan girl, it’s the technical aspect of these things that matter to me. So I sent an email to Living Magick pitching them the idea that I get a deck of their “Tarot Learning Cards” and I’ll chronicle my attempts to finally, at long last, learn tarot. The folks at Living Magick were terribly nice and very enthusiastic. Next thing you know, I’ve got myself a deck of “Tarot Learning Cards”!

Despite how excited I was to get the deck I made sure to wait until November 1st to open the box. I wanted to be able to give a 100% honest account of what I accomplished with the deck in the first month. Here we go!

I opened the box and thumbed through the cards. The most obvious thing was that the cards are not playing card sized or the traditional tarot card size. The cards are more square, very much like a deck of flash cards you may have used in school to learn math or letters. For those of you truly curious, the dimensions of the cards are 3.75″ x 5.25″. They are very basic in appearance, with the Major Arcana having the name of the card with its corresponding number in Roman numerals on the front and a nice brown and white border. The Minor Arcana are the same, but instead of the Roman numerals they have an image of their suit; cups, swords, wands, and pentacles. The backs contain information about the card, but more on that later.

After taking a look at the tarot card portion of the deck I turned my attention to the six supplemental cards that came with the deck. The cards included information about the associated elements to the various suits, numerology, terminology, information about reversals, general information about the Court cards of the deck, a list of recommended reading, and most important to me and my task at hand, how to use the deck.

Since I wanted to give you guys the real deal on how Living Magick’s “Tarot Learning Cards” worked I decided to follow the advice on the card about how to use the deck. They suggest that you break the deck down into manageable parts, adding that the Major Arcana is good place to start. I thought that sounded like a good approach so I dedicated November to learning the Major Arcana with the idea that next would be each suit of the Minor Arcana, then the Court cards, and then start over to work on the reversals, as was outlined on the “how to use the deck” card.

I had thought that like an elementary school student I would need someone to run me through the flash cards, but actually with the sturdy cards I really could run myself through them without needing someone else to hold the cards to “keep me honest”. The back of each card lists the theme, astrological association, and general keywords associated with the card. I’m happy to say at this point I am familiar with the overall theme of each of the Major Arcana cards and their astrological associations. I’m still struggling to remember a few of them, and I definitely still need to work on remembering more of the keywords. However, knowing the themes goes a long way to figuring out at least some of the keywords associated with each card.

You might be thinking geez Rebecca, a whole month and you couldn’t learn 22 stinkin’ cards? Here’s the thing, I had a few setbacks this past month. Generally I would devote 10-15 minutes an evening to run through the cards, but often times I skipped weekends, and I lost a week to illness. I think if I had that lost week back I would have the Major Arcana down cold. As it is, I’m rather pleased with what I accomplished. I have a terrible memory, so getting as far as I did in one month probably means that an average person could already be onto another section of the deck by now. Yes, the deck really does work; all you need to do is be able to dedicate 10-15 minutes a day to the task.

I’m thrilled with my progress this month with Living Magick’s “Tarot Learning Cards” and I can’t wait to learn more! The tarot deck is working so well for me that I’m seriously considering tackling astrology or runes too, at some point. I plan on sharing with you my progress each month so you can see how the deck works out for me.

Yes my friends, Rebecca has taken on yet another challenge! First it was “The Colbert Healthcare Challenge”. Then it was the “Everyday Dharma Challenge”. Now I’m proud to introduce the “Living Magick Tarot Challenge”! Stay tuned!

The Sun and Moon Tarot

This review is way overdue. For months now the adorable box for the “Sun and Moon Tarot” by Vanessa Decort has been sitting on my desk, continually being reached over, moved to different stacks on my desk, and just generally being overlooked. I kept meaning to open it up, but other stuff managed to always force its way past the box to the front of the line.

I’m sorry “Sun and Moon Tarot”; I should have opened you sooner because now I see what I have been missing. The “Sun and Moon Tarot” may be the most adorable tarot deck of all time. Vanessa Decort’s art for it is just so darn cute! She definitely colors outside the lines with her artistic interpretation of the tarot; playing with various cultures in her work. I wish I could sit here and wax poetically about it, but every time I look at a card I just find myself smiling and thinking, that is so damn adorable!

I mean here, look:

The Five of Swords

Has a Five of Swords ever looked cuter?

Or how about this?

The Hermit

How awesome is that Hermit?

Beside the art, (Did I mention how much I love it?) the “Sun and Moon Tarot” integrates numerology and Sephirot, the tree of life in Judaic mysticism, so each card in the Major Arcana is linked to a symbol from the 22 character Hebrew alphabet.

I decided to try out numerology to find my personal archetype following the instructions that Decort outlines in 40 page booklet that comes with the deck. Here we go:

Count up the numbers of your birth date, including the date, month, and year. Following her example I take my birthday May 29, 1976 and break it down.

5 + 2 + 9 + 1 + 9 +7+ 6 = 39

If the number is higher than 21, you add the numbers together again, like this.

3 + 9 = 12

This number is The Hanged Man in the tarot.

The Hanged Man

Oddly, I’ve always had affection for The Hanged Man. I’m not entirely sure why, perhaps it’s because he always looks at peace despite hanging there. Intrigued I flipped through the booklet to see what Decort says about The Hanged Man.

“Linked with Neptune. Associated with breaking away from old patterns, or reversal. You can flip the values of society or break through them. Hold on to something that is larger than your personal power, namely a higher belief, or a new point of view. The tree symbolizes the kabalistic tree of life, or the Sephirot in Judaic mysticism. The ankh is the Egyptian symbol of infinite vitality. The yoga pose, shown upside down, is the Tree. The Hebrew character Mem represents water.”

And now my affection for The Hanged Man is even greater than before.

I can’t tell you how much I adore the “Sun and Moon Tarot”. It’s simple, whimsical art gives way to rich symbolism and well thought out design. Buy it now.

The Art of Monsters

Folks like me, and by like me I mean always curious to learn a little bit about everything, are bound to have quite the collection of books about mythological creatures, magical creatures, etc. Some personal favorites of mine are “A Field Guide to Demons, Fairies, Fallen Angels, and Other Subversive Spirits” by Carol K. Mack and Dinah Mack, “The Element Encyclopedia of Magical Creatures” by John and Caitlin Matthews, and the single creature specific “The Unicorn” by Nancy Hathaway. (This was the book that converted me into a unicorn fan. Prior to this book I may have been the only little girl to have had zero interest in unicorns. Once I read stories about unicorns killing people, I warmed up to the little fellows.) Those favorites, on top of shelves full of others, means that I’m not really in the market for a new collection about mythological creatures. That changed when I received a copy of “Monsters: A Bestiary of Devils, Demons, Vampires, Werewolves, and Other Magical Creatures” by Christopher Dell from Inner Traditions.

As per usual, Inner Traditions has found an inspired route towards the subject matter. Much the way they had Claude Lecouteux, a professor of medieval literature, take on the subject matter of the paranormal, this time around they have Christopher Dell, who holds a degree in art history, turn his eye towards monsters of myth. That art history degree makes “Monsters” one of the most beautifully illustrated books on the subject matter in my possession. Thick, glossy pages showcase close to 200 full color illustrations from artists of varying time and place.

The Night Mare by Henry Fuseli 1781

Anyone with an interest in the subject matter is going to be familiar with many of the creatures discussed in “Monsters”, and the information on the individual subjects is fairly light, but the range of monsters covered is wide and varying. Usual suspects like dragons, water monsters, and sirens are discussed, but in the same book you’ll also find American classics like the Pennsylvanian squonk and the hoax hodag.

Siegfried Slaying Fafner by Konrad Dielitz 1880

I also appreciated the inclusion of Asian culture, a perspective that is a little light in some other books I own. Dell covers oriental dragons (verses western dragons), the kappa, and The Night Parade of 100 Demons (A subject I was entirely unfamiliar with and found the related “gathering of one hundred supernatural tales” even more intriguing.). The inclusion of Asia also means that Asian art features heavily in the book, which since I like it, I find to be a very good thing.

Princess Takiyasha Summons a Skeleton Spectre to Frighten Mitsukuni by Utagawa Kuniyoshi 1844

Christopher Dell’s “Monsters” doesn’t reinvent or redesign the mythical creature overview book format; however with it’s fascinating variety and inclusion of fantastically beautiful artwork “Monsters” should be a must have for anyone serious about the subject matter. It would also make a solid, and surely treasured, introduction to the subject matter for those looking for a place to start.

Moonrise

Park Street Press was nice enough to send me a copy of “Moonrise: The Power of Women Leading from the Heart”, which was edited by Nina Simons with Anneke Campbell. As I was packing for vacation I looked through the stack of books waiting to get read and thought to myself, an inspiring book of essays; that sounds like the perfect thing to read by the pool. I was wrong.

Let me explain, it’s not that “Moonrise” is bad, quite the contrary. It is full of stories from amazing people that really get out there and make a difference every day. The problem is, when your most charitable act of the day is tipping the bartender well for your Rum Swizzle, you feel a little bit like the laziest person ever. With each essay I read it felt like “Moonrise” was looking me in the eye and saying, “Wow Rebecca, two Rum Swizzles, you’re really being the change you want to see in the world, aren’t you?” I suspect my reaction is what Nina Simons was hoping for.

Nina Simons is co-CEO and cofounder of Bioneers, “a national nonprofit that identifies, gathers, and disseminates breakthrough solutions to environmental and social challenges”. When attempting to explain Bioneers in a quick nutshell to my husband I went with, Bioneers is like TED and “Moonrise” is the equivalent of the TED talks. And this is why I suspect Simons would be pleased that I found “Moonrise” to continually be asking, “What have you done today?”

The cast of characters and the stories they share are truly inspiring. On more than one occasion I found tears welling up in my eyes. The contributors to this book spared no punches and held nothing back emotionally. Lateefah Simon opens her essay “Girl Power for Social Justice” with, “We are living in impossible times. I feel it in my bones. Last night when I was reading my daughter a bedtime story, I thought to myself: I’m weary, but I’m not weak. These times are hard all over the world. Young women are struggling. Young women are dying. Young women are fighting and resisting.” She then goes on to chronicle how at the age of 19 she was appointed executive director of the Center for Young Women’s Development, which made her one of the youngest leaders of a social service agency in the country.

Judy Wicks, proprietor of the well-known White Dog Café, offers interesting economic and social insights with her essay “Local Living Economies”. LaDonna Redmond, the founder and president of the Institute for Community Resource Development in Chicago, Illinois, discusses how her son being born with severe food allergies started her on a quest to attempt to make healthier foods available in urban communities. She offers the insight that, “In my neighborhood, I can buy designer gym shoes, every kind of fast food, every kind of junk food, all kinds of malt liquor and illegal drugs, and maybe even a semiautomatic weapon, but I cannot purchase an organic tomato.” Artist Lily Yeh shares her journeys with readers as she outlines how she went from an artist to artist ambassador, working to bring art to impoverished communities. “I often find it hard to define what I do as an artist, but I’ve come to realize that broken places are my canvases. People’s stories are the pigments, and their talents, the tools. Together we weave something magical, organic, and sustainable,” Yeh shares in her essay “How Art Can Heal Broken Places”.

It’s safe to say “Moonrise” isn’t light, summertime beach reading. However, “Moonrise” should be required reading to anyone, particularly women, who are looking for inspiring ideas, unique perspectives, and calls to action with regards to the social and environmental challenges that we’re all facing.

Teachings of the Santeria Gods

“Teachings of the Santeria Gods: The Spirit of the Odu” by Ocha’ni Lele is an exploration of the patakis (an oral tradition of stories) tied to specific results achieved when using the sixteen-cowrie-shell oracle known as the diloggun in Santeria. This combination of divination and religious observance is a fascinating system I’ve never encountered before, and the patakis related to it give an insightful look at the stories that inform practioners of Santeria.

How does it start? Sixteen consecrated and modified cowry shells are cast by a trained priest with the mechanically opened side of the shell having a value of zero, whereas the natural mouth has a value of one. The numbers are added up and the result corresponds to a particular odu which is a divination pattern and the orishas (spirits) use this odu to speak to the priest. Thusly you have 16 odu that are linked to 16 orishas starting with one mouth, Okana, and ending with 16 mouths, Merindilogun.

However, this book isn’t about divination, it’s about the stories tied to the orishas that are generally passed along orally from priest to apprentice, parent to child, village to village, and across oceans. The stories embody every facet of the human condition: love, death, hope, violence, compassion, devotion, sex, greed, desire, despair, and more. Much like those consulting the diloggun, the orishas have lives, or have touched lives, filled with successes, failures, quests, and hard lessons learned.

There are stories that made me smile (and perhaps get a bit misty eyed) like the story “How a Man and a Woman Found Love” connected with Irosun who is linked to the odu of four mouths. There are also tales of intrigue, such as “The Story of Elegede” which is tied to Obara, connected to the odu of six mouths and “King Olushola Make Edo” which is connected with Ogunda, who is linked to the odu of three mouths. Also there are many stories explaining why things are the way they are, like “Why the Rooster Was First Sacrificed”, “The Creation of Copulation”, “How the Crocodile Became Powerful”, and “The Story of the Cat and the Rat”.

Loaded with stories that provide entertainment and unique perspectives, “Teachings of the Santeria Gods” is an excellent book for those looking to learn about Santeria or African folklore. I enjoyed it immensely.

Robyn’s Body Talk: Part Two

Well, here we are again, talking about Swedish pop star Robyn. That must mean only one thing, “Body Talk Pt. 2” has released! I feel it’s safe to say now that we’re three Robyn albums reviewed in here at The Buffet (here and here) that I can officially declare I have a total fangirl crush on Robyn. There, I said it. I’m not ashamed.

So what does “Body Talk Pt. 2” bring to the table that has got me so darned excited? A whole heck of a lot! Let’s dive right in because despite being only 8 songs, we’ve got a lot of ground to cover!

The album opens with “In My Eyes”. This is pure, straight ahead, pop. It’s not revolutionary by any means, but it’s upbeat, you tap your foot to it, there’s some classic synthesizer and drum machine work going on. Next up is “Include Me Out” which again is danceable pop. “In My Eyes” flows nicely into this track. With only 8 songs I value album flow greatly. I enjoy the occasional schizophrenic album that goes in a zillion different directions, but for the “Body Talk” discs and their limited number of songs, I appreciate a solid fluid selection of songs.

Okay, now that we’ve warmed up with the opening two tracks, here is where the ass kicking truly begins in earnest. Remember how I commented in my review of “Body Talk Pt. 1” that “Robyn slows it down for the last two tracks, ‘Hang With Me’ and ‘Jag Vet En Dejlig Rosa’. Both songs are lovely. Robyn has such a delicate, light, airy voice that is well suited for the material, but I have to admit after Robyn kicking your ass for 6 songs, it is a little hard to switch gears.” Well for “Body Talk Pt. 2” Robyn presents us with the revamped, techno laced, version of “Hang With Me”. What started out as a catchy ballad tinged with melancholy has become, in my eyes, a happy upbeat song about two friends trying not to be in love with each other.

After “Hang With Me” we’ve got “Love Kills”. “If you’re looking for love, get a heart made of steel ‘cus you know that love kills. Don’t go messing with love, it’ll hurt you for real, don’t you know that love kills?” I adore it when pop music viciously attacks love, don’t you?

Here we are at “We Dance to the Beat”. This is a very techno/trance kind of song. The best way to describe it is, it’s as if The Android Sister, who performed satirical speak songs in the audio series “Ruby the Galactic Gumshoe”, got polished and repackaged for the dance clubs. This is The Android Sisters, and this is “We Dance to the Beat”, you be the judge.

Get ready for some real booty shaking because we’re at “Criminal Intent”. Can a night out on the dance floor represent criminal intent? It can when Robyn invites producer Diplo to join her on a track. This song packs some serious bass and is hands down the club song for this album. If anyone happens to have the ear of the folks who license music for the USA Network show “Burn Notice”, pass this song along to them please. This song is tailor made for the show, especially if they cut to black with just the end of the distorted voice saying “criminal intent” lingering for a moment before the commercials kick in. I expect to hear this song in the new season USA!

Again, referencing my review of “Body Talk Pt. 1”, you may remember me expressing disappointment in the lack of a new “Curriculum Vitae” on that album. The smack talking intro that touted the vast accomplishments of Robyn, including, but not limited to, being “listed in section 202 of the United Nations Security Act of 1979 as being too hot to wear tight sweaters in international airspace.” She makes up for that with “U Should Know Better” featuring Snoop Dogg. As I said before, “Robyn creates Swedish pop music that contains a hip hop swagger,” and she holds her own effortlessly with Snoop Dogg. The hip hop swagger runs rampant on this track as she explains that the French, the Vatican, the Russians, the CIA, the Prince of Darkness, and in fact, the whole industry should know better than to f@#k with her. Noted, will not f@#k with Robyn. Check!

This brings us to the final track of the album “Indestructible”. This is labeled as the acoustic version, which leaves me hopeful that I’ll be hearing an awesome remix of this song on the third “Body Talk” album, as this was how it went with “Hang With Me”. Again, just like “Hang With Me”, the song is beautiful and perfectly suited for her voice. Lyrically the song is wonderful, “I’m going to love you like I’ve never been hurt before. I’m going to love you like I’m indestructible.” It’s fantastic, and it’s solid enough that with it being the end cap to the album, it doesn’t feel like it drags things down. I guess “Jag Vet En Dejlig Rosa” was just one slow song too many on the last album. Here “Indestructible” soars and then lands perfectly to complete the album.

I don’t always agree with the music reviews in Rolling Stone magazine, but they categorized both “Body Talk Pt. 1” and “Body Talk Pt. 2” as albums you should buy now, and I can’t agree more!

Update:
In the gap between writing this review and actually publishing the review Digital Spy confirmed my hopes, the next single out will be an alternate version of “Indestructible”.

We Are Not Amused, Actually We Are

If you’ve been a regular reader of The Buffet for any length of time you have no doubt heard me shout about how (insert item/person/event/other) is the most awesome thing ever. Every time I feel I’ve encountered what will surely be the coolest thing to ever cross my experience, something new comes to light. That said, today we will be looking at what is surely the coolest, most awesome, most fan-freakin’-tastic thing ever! The Doomed Queens Royal Playing Cards and the companion Ask the Queens Advice Card Deck, both by Kris Waldherr and published by US Games Systems.

What is a Doomed Queens playing card deck? I’m so glad you asked! It is a traditional 52 card playing deck, but the artwork (which is stunning and much of it done by Kris Waldherr) shows a historical tragic female character and has a small blurb of text briefly describing how this individual was “doomed”. Let’s face it, any playing card deck that comes with a “Graphics Key” card to help you figure out the doom icons on the cards, is the coolest deck you’ll ever play with. The deck includes some well known ladies, such as Ann Boleyn, Cleopatra, and Marie Antoinette. However you’ll also learn the sad tales of lesser known female royalty, such as Athalia (the daughter of Queen Jezebel who was beheaded), Alute (the consort of the Tongzhi Emperor who was assassinated), and Empress Irene (wife to Leo IV, emperor of Byzantium, who was deposed).

This deck is just screaming for a night with the girls where you do nothing but drink wine, eat chocolate, and play cards! Something to keep in mind folks, the holiday shopping season is approaching, and with the sturdy box, beautiful art, bits of trivia, and a suggested retail of $12.00, who can’t you buy this for?

But don’t go yet, we’ve got more doomed queens to discuss! Let’s look at the Ask the Queens Advice Deck. Take 40 of the choicest ladies from the Doomed Queens Royal Playing Card Deck, turn them into sturdy oversized cards (ala most “oracle” decks), keep the history, but add what you can learn from that history, and you’ve got yourself the Ask the Queens Advice Deck!

What wisdom do doomed queens impart? Queen Zenobia says, “It’s better to be alive without a crown than dead with one.” The card goes on to explain, “Queen Zenobia of Palmyra chose to lead her people into battle rather than suffer Roman dominance. Zenobia’s vision for her empire did not include Roman rule. Palmyra was captured in 275, but Zenobia was freed. The former queen decided that if you can’t beat them, join them; she married a Roman senator and spent her remaining years in luxury.”

Another fine bit of doomed advice is “If you tarry with crime, you may become a victim.” So says Queen Joan. The card explains, “Joan was the niece of Phillip VI, king of France, and the granddaughter of the king of Naples, Robert the Wise. Robert made her his heir when her father died. To keep it in the family, she was betrothed to her second cousin Andrew, a Hungarian prince. Rumor held that she arranged for his murder. Joan was deposed in 1381; a year later, she was strangled in prison.”

Looking through the deck, I can’t help but say it again; with its sturdy box, beautiful art, bits of trivia, fun advice, and a suggested retail of $15.00, this would make an excellent gift for a wide range of people this holiday season.

Both “Doomed Queen” decks are unique and so much fun! Alone or together, they would truly make gifts that keep on giving.

I Like Noise

I like noise. I can’t think of a better way to say it. Whether listing to HipGnosis Glitch.FM pod casts that features the sound of a computer in it’s death throes, the grinding distortion of Sleigh Bells, or the latest album from M.I.A., I can no longer deny it. Yes, I understand that to many it just sounds like noise, but I really, really like that noise.

I came to this conclusion after buying M.I.A.’s latest album “Maya”. Some of you may have been made at least passingly familiar with the album due to the controversy surrounding the first video released, “Born Free”. The video features nudity and graphic violence, so it may not be your visual cup of tea, but for those of you who feel you’ll be all right with this totally not safe for work video can view it here. With the visuals now out of the way, let’s focus on the sound of the album.

M.I.A., and the producers she worked with, created a fantastic sonic mash up that I would compare to N.E.R.D.’s awesome “Seeing Sounds” album, which I called a “Jackson Pollack painting pressed onto a disc.” Thumping bass, industrial noise, distorted voices, glitch style hiccups, danceable reggae, melodic vocals, and more, converge into one album; sometimes one song. I find it impressive, inventive, and fearless.

Lyrically it’s obvious M.I.A. has information politics on the mind. With lyrics like, “I licked envelopes, wrote a letter to the pope. He never gave me rope, in the times I couldn’t cope. They cleaned up the dope and censored my scope. The writing on the walls been beaten to a pulp. All I ever wanted was my story to be told,” from the song “Story to be Told”. Also “Who says all the rules are made by rulers? We break ‘em and breakin’ their computers. I ain’t buying no more from the looters who try to out school us,” from the track “Meds and Feds”.

A personal favorite from the album, “Lovalot”, says, “I really love a lot, but I fight the ones who fight me.” The way M.I.A. delivers the line “I really love a lot” is very fluid, so the words kind of run together. At first I thought she was saying, “I really love the law, but I fight the ones who fight me,” which I was taking as a political message of how the law can still leave average citizens vulnerable. Once I learned it was “I really love a lot”, I thought, well that’s better. Who doesn’t love the idea of a gentle soul that will still fight when pressed? (As Hyde from “That 70’s Show” would say, “Where Zen end, ass kicking begins.”) However, Kitty Empire of “The Observer” summed the track up best with, “So you may not agree that the CIA controls Google, as intro track ‘The Message’ posits. You might not wonder what went on in the mind of Dzhennet Abdurakhmanova, the Russian teenager who bombed Moscow’s tube system to vindicate the death of her husband, an Islamic militant. But MIA does, and her ‘Lovalot’ ponders her inner world with a mixture of nonsense rhyme, militant posturing and pop-cultural free-flow; her London glottal stop mischievously turns ‘I love a lot’ into ‘I love Allah’.”

M.I.A. could have sat back and done a whole album of “Paper Planes” (the song from her previous album “Kala” that brought her mainstream recognition) and made a fortune off stoner college kids who seemed to have overlooked such buzz killing lyrics as “Some, some, some, I some I murder. Some, I some, I let go.” Whoa to the shopper expecting a catchy, pop friendly album, because M.I.A.’s album is the equivalent of a boot to the throat of that listener….but you can dance to it.

The Temple of High Magic for Everyone

Take note publishers, name dropping works. Months ago I received a review copy of “The Temple of High Magic: Hermetic Initiations in the Western Mystery Tradition” by Ina Custers-van Bergen from Destiny Books. It had a not entirely exciting cover and was authored by a woman I had never heard of. However, I noticed the forward was by Gareth Knight and that the author was initiated by Dolores Ashcroft-Nowicki so I knew that this book had to be something special. And boy howdy was I right.

Obviously I’m no expert on the Western Esoteric traditions, because let’s face it, I’m not an expert on anything, but I will dare say that this is the best introduction to the subject matter I’ve ever seen, or possibly that’s ever been published. My introduction to the subject matter was the book “Magick for Beginners” by J.H. Brennen, which I still highly recommend to anyone looking for a tiny taste of Western Occult practices. In writing him a letter (yes, I liked the book so much that I wrote the author), he suggested looking at Dion Fortune and Israel Regardie. Fortune and Regardie are both respected pillars of the ceremonial magic community but their works are dense and difficult for a beginner to wrap their brains around, or at least for this beginner they are. If only “The Temple of High Magic” had been available then!

Bergen’s book thoroughly answers the question, “What are the Western Esoteric traditions all about?” Seriously, if some random person I met on the street that I had never seen before in my life went, “Hey stranger I’ve never seen before, what is all this Western Occult/Mystery stuff like?”, I would say not a word and put “The Temple of High Magic” in their hands.

This book is only 383 pages including index, bibliography, glossary, and table of correspondences, and yet it answers any question you could possibly think of as a beginner. Better still, this book despite being translated from Dutch speaks clearly and goes light on jargon. Bergin covers the roots that feed into the current practice of Mystery Traditions today, explains the significance of temples, tools, and robes, covers Tree of Life basics, Chakras, features loads of exercises and rituals, and more, more, more!

This is the book I should have read before attempting to tackle Regardie’s works, or slowly suss out Fortune, and it is definitely a book for someone looking to learn about these traditions but isn’t looking to necessarily actively participate in them. In other words, this is probably the only book a generalist like me would ever need. That said, this book could easily be the springboard for someone with some interest in the topic to become someone looking to actively begin serious study and practice. I guess what I’m trying to say is, buy this book and then buy a second copy to give to anyone you know with even a passing interest in the Western Esoteric Traditions.

Robyn’s Body Talk: Part One

Readers may remember two years ago I reviewed Madonna’s “Hard Candy” album. In that review I discussed the always evolving role of music producers in an artist’s album and stated, “Madonna wants you to dance, even if it means sacrificing herself on the altar of the producer.” I didn’t think it was a bad thing, and I still don’t. However, I just got done listening to Robyn’s new album “Body Talk Pt. 1” and I have to say, despite working with some big name producers, I feel as if the producers were sacrificed on the altar of Robyn’s pop music vision. Of course, what else would you expect from a pop music star who on her previous album said she’s “gonna’ make your balls bounce like a game of ping pong”?

Now before I launch into all the details of why I love this album, because I do love it, I first have a little beef with Robyn. Her new album “Body Talk Pt. 1” is one of three albums she will be releasing this year. It has only 8 tracks. In doing some poking around on line I see that this is all by design. It looks like the plan is that the three “Body Talk” albums are part of this rolling, evolving plan where she tours with the new songs, while testing out even newer stuff on the road, while leaking some tracks on line, to come together for an album, continually repeating until all three albums are out. It’s genius. This is the out of the box thinking that is going to save pop music. While labels are in a panic wondering how to engage a new technology savvy generation, Robyn is out there with Konichiwa Records doing it. If I think it’s so gosh darn awesome, what is there to complain about? Robyn, meet me in the next paragraph….

Robyn, ROBYN, I love you! You kick so much ass it is not to be believed. So I need to ask, why are you torturing me? TORTURING ME! While you’re out there shooting adrenaline into a tired music paradigm with your live shows and leaked internet tracks, I’m stuck in the United States. Yes, AMERICA. You know, where you’re barely touring, where much of your online stuff is blocked. While Europe is out there partying their way through your year of “Body Talk” I’m stuck in the U.S. with an album with only 8 songs! I can’t imagine it’s personal. You were 100% adorable in your appearance on “The Daily Show” a year or so ago. So why, oh why must you hurt me so?

With that out of the way, let’s take a look at “Body Talk Pt. 1”. I was hoping that the new album would open with a new version of “Curriculum Vitae” but alas, there is no one there to remind us that Robyn “is listed in section 202 of the United Nations Security Act of 1979 as being too hot to wear tight sweaters in international airspace.” The opening song is “Don’t F**king Tell Me What to Do”. It’s a quirky song where Robyn lists off things that are killing her over a techno beat but then tells you “don’t f**king tell me what to do.” It’s an all right track but personally I would love to hear what some remixers could chop it up into. (Robyn did do a neat Twitter contest where you tweeted what was killing you and it may end up in the music video for the song. See? Engaging through new technology.) Next up is “Fembot” which has a catchy 80’s breaking beat and insanely clever lyrics, “My superbrain is a binary. Circuitry and mainframe tin-foil hair, I’m sipping propane topped with a cherry. In fact I’m a very scientifically advanced hot mama, Artificially discreet no drama, Digitally chic titanium mama. I’ve got some news for you, Fembots have feelings too. You split my heart in two. Now what you gonna’ do?” You know at some point a producer was like, you want to do a song about you being some sort of sex robot? And Robyn was like, don’t MAKE me, make your balls bounce like a game of ping pong. Lyrically speaking she, or someone she works with, is way up on their tech talk because you groove while she sings about CPUs, calculators, and space cadets.

After that this mini album really hits its stride with “Dancing on My Own”. This is every thing you want from a pop song: driving beats, broken hearts, anthemic choruses, and the angelic bridge leading you into the banging drum to chorus. Check it out here (please note, I LOVE the song, I’m pretty whatever about the video):

This is followed by another bubble of pop perfection “Cry When You Get Older”. “Hey girl in the strobbing lights, what your mama never told you, love hurts if you do it right, you can cry when you get older.” That pretty much sums up the hybrid of the best pop songs in recent history. Following that are the songs “Dancehall Queen” and “None of Dem”. What I love about these songs are how petite, Swedish, feminine voiced Robyn manages to come across as threatening in these tracks. Some how Robyn creates Swedish pop music that contains a hip hop swagger.

Robyn slows it down for the last two tracks, “Hang With Me” and “Jag Vet En Dejlig Rosa” (Which I believe is a traditional Swedish folk song, but I may be wrong about that.). Both songs are lovely. Robyn has such a delicate, light, airy voice that is well suited for the material, but I have to admit after Robyn kicking your ass for 6 songs, it is a little hard to switch gears. If there had been another couple of songs on the album it may have transitioned better.

As I hoped, Robyn came back just as strong as ever. Yes, the album only has 8 tracks, and that does make me sad, but I’d rather have 8 songs than none at all.

By the way, I wasn’t kidding, Robyn was totally likeable in her “Daily Show” appearance.

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