Barry Manilow has Rickrolled Us All

Yes, Rickrolled.

This is from Monday’s release of Barry Manilow “Songs of the Eighties” album. According to Manilow’s website, “The Greatest Songs of the Eighties uncovers a bounty of treasures and reignites nostalgia for these fantastic hit songs reinterpreted by Manilow in his signature style – from his duet with Reba McEntire on “Islands in the Stream,” as they pay homage to Kenny Rogers & Dolly Parton’s #1 duet of 1983 – to a trio of songs associated with memorable films: Phil Collins #1 hit of 1984, “Against All Odds (Take A Look At Me Now)”; Bill Medley & Jennifer Warnes’ #1 hit of 1987, “I’ve Had the Time of My Life” (from Dirty Dancing); and Christopher Cross’ Oscar-winning #1 hit of 1981, “Arthur’s Theme (The Best That You Can Do),” and much more.

The Greatest Songs of the Eighties moves seamlessly through a selection of major hits from both sides of the Atlantic. The UK is well-represented by “Careless Whisper,” the #1 hit of 1984 by Wham! featuring George Michael; Rick Astley’s #1 “Never Gonna Give You Up”; and a song that Van Morrison first wrote and recorded in 1989, “Have I Told You Lately,” which later became a giant hit for Rod Stewart.

Manilow’s impeccable performances and signature arranging style also breathe new life into a quintet of American classics: “Open Arms” by Journey; Chicago’s #1 “Hard to Say I’m Sorry”; Stevie Wonder’s #1 “I Just Called to Say I Love You”; Cyndi Lauper’s #1 “Time After Time”; and Richard Marx’s #1 “Right Here Waiting.”

BARRY MANILOW: THE GREATEST SONGS OF THE EIGHTIES
(tentative track listing and subject to change):

“Islands in the Stream” duet with Reba McEntire
“Open Arms”
“Never Gonna Give You Up”
“Have I Told You Lately”
“I Just Called to Say I Love You”
“Against All Odds (Take A Look At Me Now)”
“Careless Whisper”
“Right Here Waiting”
“Arthur’s Theme (The Best That You Can Do)”
“Hard to Say I’m Sorry”
“Time After Time”
“I’ve Had the Time of My Life”

I’m not very impressed by his cover of “Never Gonna Give You Up”, it lacks the passion of Rick Astley’s rendition. That’s right, I said passion. I love that song! I’ll be intrigued to hear Manilow’s other covers. I’d like to think he’d rock out on “Open Arms” and “Against All Odds”. If any of you hear those, let me know how they sound. What I really want to know is, why no album of original songs? Sure, Barry is an easy target to poke fun at, but at the end of the day Manilow really does “write the songs that make the whole world sing.” Okay, he didn’t actually write that song, but he is a solid song writer and I’ve been told a stellar live performer.

Rebecca’s Defense of Duff

Not too long ago, by some conversational equation I cannot recollect, I was talking to my husband about Hillary Duff. Overall, I’m pretty neutral in regards to yet another one of Disney’s former pop princesses. Her music is essentially what you expect it to be, pop spun of the finest sugars that the children from the “It’s a Small World” ride could gather. In fairness, I always had a soft spot for her song “Do You Want Me”. I suspect it’s because even with me coming into middle age I still clearly recall what it feels like to be a 13 year-old girl who knows, that everything is so painfully important, and nothing more so than the affections of a boy.

Anyway, I was commenting to Jim that unlike some other former Disney girls, Duff seemed to be acclimating to life outside of the mobs of tween fans pretty well. I’m not well versed in her life and career or anything, it’s just I read a lot of celebrity gossip websites, a lot of them, and Duff rarely seems to make the scene, and when she does it always refreshingly dull, like her buying a Starbucks latte in the afternoon. So I figure she hasn’t degenerated into a party girl, or pAArty girl, as Perez Hilton would say.

Then she got a little press for her work with the organization ThinkB4YouSpeak.com whose goal is “to raise awareness about the prevalence and consequences of anti-LGBT bias and behavior in America’s schools.” Duff even did this amusing ad for them.

Nice, right?

So yeah, I was all about how unlike other former Disney pop gals, Duff seemed to be doing it right. No utter meltdowns like Britney and no unfortunate run-ins with leather chaps like the now reformed Christina Aguilera. And let’s all be honest here, Miley Cyrus seems pretty screwed up and she’s still experiencing the fame and glory of the Disney machine.

Then, like a perfectly timed joke Perez Hilton had this on his site. Go ahead, click it and come back. We’ll talk then.

Yep, there’s Hillary, all rolling on the floor touching herself, making out with her reflection in the mirror, and of course, totally running her hands all over that shirtless dude. Now in all seriousness, it’s not really as bad as all that. She’s 21 years-old, and this video is the closest thing I’ve seen to her really “acting out”, so she honestly is still fairing better than her predecessors, and oddly, her protégés. (Seriously Miley, you can’t get all weepy and claim you feel violated when an absolute artist like Annie Leibovitz takes a photo of you and then turn around and date a 20 year-old and post tawdry photos of yourself on My Space. Knock it off.) The unfortunate timing of this video is what makes my argument of a well adjusted Duff seem a little weak. However, I stand by my initial statement. She’s handling the transition of Disney princess to former Disney princess better than any of the other ones. Trampin’ it up to hustle some records never hurt anyone in measured doses.

Also, it may make me a heathen, but I totally love the sample of Depeche Mode’s “Personal Jesus” in that song. Yes, the whole song is such a rip off of Depeche Mode, but darn it if I don’t tap my toes anyway.

For those of you who are curious, this song will be featured on Hillary Duff’s best of album that releases on November 11, 2008.

How I Spent My Summer

Buying lots and lots of music! For those of you who haven’t been following along, this summer has been music buying chaos for me. Now that the summer is winding down, and the leaves here in New York are starting to change colors, let’s try to make some sense out of all that I’ve listened to.

It all started back at the very end of April, when both the latest Madonna and Robyn CDs released, and it ends with the new Glen Campbell album I just reviewed. Let’s go to the list, shall we?

April: Madonna “Hard Candy”, Robyn “Robyn”
May: Cyndi Lauper “Bring Ya to the Brink”, Duffy “Rockferry”
June: NERD “Seeing Sounds”
July: Nas “Untitled”, The Ting Tings “We Started Nothing”
August: Sa Dingding “Alive”, Glen Campbell “Meet Glen Campbell”

Obviously I liked all these albums. I only write about stuff I like when it comes to music. Also, I wrote reviews for all of these, so there is no need to rehash those opinions here. Let’s kick a little compare and contrast though, shall we?

Battle of 80s divas, Madonna verses Cyndi Lauper. Cyndi Lauper wins hands down. Both albums are designed to make you dance, but Madonna stuck to safer grounds with top hip hop and R&B producers, where as Lauper’s album makes you wanted to move just as much, but it took risks, such as dipping into Swedish pop and utilizing interesting and unusual sounds.

Want to unwind? Duffy verses Sa Dingding. It may seem odd to compare the two, but both albums are rich and atmospheric. Ladies, go with Duffy for introspection, listen to Sa Dingding to provide a soothing soundtrack for yoga or picturesque drives.

Waving your hands in the air, Nas verses NERD. Sonically NERD’s album is impressive. It’s a mix and match of sounds that ultimately come together with foot tapping, booty shaking, fist pumping results. Unfortunately for NERD, Nas has them beat lyrically, and the album boasts its own fantastic music. The Nas CD reigns supreme for me…I suspect it will be a long time before another hip hop album will impress me as much as this one did.

Did you just buy that? The Tings Tings verses Glen Campbell. Both albums were unknown quantities when purchased, both were entertaining. Obviously it’s hard to compare the chick 80s sound of The Ting Tings with the country reinterpretations of Glen Campbell. What they have in common…they were both inexpensive to purchase….and that’s it.

The album I’m still listening to…Robyn. That Robyn CD is the winner of the summer. I bought it at the end of April and it is still in my car for regular listens. Stuck in traffic? Listen to Robyn. Speeding down the highway? Listen to Robyn. Getting pumped up to go to a party? Listen to Robyn. Cleaning the apartment? Listen to Robyn because I loaded it onto my computer. There is no occasion when listening to the Robyn CD is a bad idea, except maybe when trying to get some sleep!

This has been a great summer for music and I’m sad to see it go. For once I don’t have a music review just sitting in my computer waiting to share with you guys. Hopefully with the upcoming holiday season there will be some new, exciting music releases for us to talk about. Until then, keep your ears open!

Meet Glen Campbell

Yeah, I said Glen Campbell, you got a problem with that? The next time I talk music it will be my summer music buying wrap up, but this little oddity snuck in during August, so I figured, better add it to my lost summer of music purchases.

The buzz about the new Glen Campbell is that it’s an album of covers. That’s part of the appeal. Of course, “Meet Glen Campbell” should not be compared to any of the Johnny Cash “American Recordings” albums; that would be sort of like comparing, I don’t know, something super bad ass, with something not quite so. The Cash covers were revelations, these covers, just can’t hold up to them.

That said, there is a lot to love about this CD. Campbell’s producer took a handful of songs that were originally small, intimate, and pared down, and handed them over to get the big, bold, 60’s/70’s Glen Campbell treatment. Many people are all a buzz over the cover of Green Day’s song “Good Riddance (Time of Your Life)”. Personally, I’m a freak in the fact that I have never been a fan of this song. Save it for high school dances, and teen television dramas, is what I say. Campbell didn’t manage to change my opinion. On the other hand, I also have never been too fond of the Travis song “Sing”, but in Campbell’s hands I find this to be my favorite track on the album. My other big favorite is his cover of Tom Petty’s “Walls”.

In my opinion, it’s time more people met Glen Campbell, and this is a pretty accessible way to do that.

“Sing”, this is a live performance and in my opinion not as good as the album version, but it will give you an idea as to what I’m talking about.

Some Real East Meets West

Due to the recent Beijing Olympics, for better or worse, we’ve all been learning more about China. It was in this vein that the BBC show Newsnight presented a piece about a Chinese singer named Sa Dingding. Let’s not talk politics, she didn’t in her interview. China is a wonderful place for artists, end of interview. Maybe she truly believes that, maybe the government made no secret of the fact that they knew where her family lived, all I’m saying is that it is a little creepy to see that her album was produced by ShangHai To-Wing Culture Development Co. Ltd., and not, you know, by individuals.

Enough about all of that though, the point is, I heard about her on Newsnight and instantly fell in love with her music. Her album, “Alive” came out in 2007, but thanks to the Olympics and positive feedback in Europe, I recently got a hold of the CD, now available in the United States.

What’s it like? Well, for starters, no English. Mandarin, Sanskrit, even a self created language, but no, I do not understand a single word on this album. It doesn’t matter though, the music is so cinematic that just like when watching a television show in another language, you just kind of decide what you think is going on.

What is going on? A real East meets West kind of sound. Forget Ming Tsai! This is a real cultural blend. (A personal note to Ming Tsai: Please don’t take offense and come after me with one of your beautiful Kyocera ceramic knives!) Sa Dingding blends very traditional sounding folk songs with Westernized techno and rock sounds. On my favorite song, the title track “Alive”, I swear that some sort of harp or mandolin, totally jams out in a blues/soul kind of way. The album has simple, and beautiful, vocals cutting through a dense fabric of sounds.

Check out Sa Dingding’s “Alive”!

Thanks Goodness! (The Ladies of the 80’s Sound is Back)

There are Tings, which are a cheese puff-like treat that all the kids I know seem to love. There is Ting Ting, the poster girl for the card game “Shadowfist”. Despite those notable tings, today we are going to talk about the new album from The Ting Tings, that I recently purchased as part of my summer music buying madness.

Do you miss the ladies of 80’s new wave? Good news, their spirit is alive and well in The Tings Tings CD “We Started Nothing”. Their lead singer has a style that reminds me of The Waitresses (“I Know What Boys Like”). It’s not quite singing, but it’s not quite rapping, it’s like talking….with style. I’m so cool that I don’t even need to sing. If you’re looking for deep lyrical complexity, or levels of emotional resonance, skip this album. But, if you’re like me, and missed that slightly edgy pop/rock that only the way too hip ladies of the 80’s could generate, then you must buy this disc now!

Thanks to My Space TV you can check out their first single “Shut Up and Let Me Go”.

The Ting Tings – Shut Up And Let Me Go

Guess What Today Is!

Today is my Uncle’s birthday, and he’s not feeling well, so let’s all say “Happy Birthday and feel better soon!” Now he can cringe as I go from warm birthday wishes to what this blog is about, the National Action Network’s Decency Awards, which is an extension of their Decency Initiative. For those of you who think you’re unfamiliar with the NAN, does this name ring a bell? Reverend Al Sharpton. Yes, this is his organization.

A year ago today Sharpton and the NAN organized “A Day of Outrage” which were peaceful protests targeting music companies and industry executives across the United States. Although today is special, the Decency Initiative is active all year round. They are currently celebrating that because of pressure Nas’ latest album was released as untitled as opposed to n-word, which was its original title. Stay tuned, that’s another blog all together.

This isn’t a tirade against the NAN. Their organization does a lot of good. Keep demanding answers about Sean Bell Rev. Al! My problem is the idea of the Decency Initiative. It’s the same beef I have with the Anti-Defamation League (Another organization that does a lot of good, but….). You can’t just go around trying to silence anyone that has something to say that you find offensive. Yes, in a perfect world there would be no racial or religious slurs, there would also be no anger or outrage, no need for public discourse, and finally no need to get my butt up off the couch. (Wow, did I just do a “Ripple of Evil” like on the show “Root of All Evil”?) Censorship is not the path to understanding, it’s the path to ignorance.

What follows is my open letter to the NAN about their Decency Awards and Initiative. I’d like to think that I make a passionate, thoughtful, and polite argument on behalf of rap artists everywhere, but when you touch sensitive subjects, like the use of the n-word, well, reason does not always prevail. Somehow, I’d like to think that as a white Jewish woman I’ve gotten the brunt of rap music’s bile, and it makes my point of view valid, but as my friend Max said, “You’re not black.” But since other than Nas I can’t find anyone else willing to take a stand for the rights of rap artists, I took the plunge. Okay, plunge is a strong word, I’ve dangled my feet in the water…if I’m not litigated out of existence…or fired due to pickets outside of where I work….perhaps there will be a plunge. Nas, if the NAN comes after me, will you fund my legal defense?

To Tamika Mallory, National Director of NAN’s Decency Initiative:

I see on your website that August 7, 2008 the Decency Awards “are being held to honor entertainers who carry the torch of decency and to highlight positive images in our community.” That I am encouraged to “send in my nominations of entertainers, artists, athletes, and public figures who I think should be recognized”. But I am warned that, “all nominations are welcome, but keep in mind that haters will be disregarded”.

This forces me to ask the question, then why are you hating on the rap community? I’m writing to you today to please ask you to stop. Do I like to hear myself referred to as a bitch or ho, or my friends as niggers? Absolutely not! And yet, it boogles my mind that your organization, one that focuses so much time and energy on so many worthy causes, would waste your time to endeavor to enforce your version of decency onto musicians and their distributors.

I am a better person today because of the rap music I listened to in my youth. I grew up in a mid-sized rural community in Illinois, but because of artists like the Geto Boys, Queen Latifah, NWA, and Ice-T, I was able to learn about people living lives entirely different than my own. Yes, they had horrible language, and it shocked my 13 year-old ears to hear words like bitch and nigger, but that’s what art, at its best, is supposed to do. It shocked and enlightened me. Rap music started a chain reaction in my life. I thought more about the world outside of my hometown and I grew concerned about issues like race, drugs, poverty, and censorship. I’m sorry, but how dare you try to deny that life changing experience to others?

Please stop going after the music labels. Yes, they pressure artists, but I find it hard to believe that any music executive listens to an album and goes, this is okay, but you really need to add more references to bitches and niggers if you want to go gold. Those words are there because they are the language of the artist. And as a bitch and ho, I’m telling you, I’m okay with those words. How weak do you feel women are that they can’t handle a musician using them? In this day and age those words have no power, in fact, most women wear the label of bitch like a badge of honor. Those words have nowhere near the awful legacy of the terrible word nigger. Not being African American I cannot speak first hand of the feelings that word evokes. I can tell you that trying to police language is not going to solve anything. Putting the words out there makes them less powerful, not more. There was a time when bitch was universally a highly offensive term, but about 200 million bitches later, it’s really just another word…I promise. And thanks to the rap community, the word nigger really is losing its power. I worked in music retail for 10 years and every day I would hear teenage boys refer to each other as nigger. They were obviously using it as a term of affection, friendship, and brotherhood. At no point ever did I feel they were saying it out of malice or the belief that they were speaking to their slave. Thanks to rap music the word’s meaning is evolving.

As long as there are differences, there will always be hate, it’s a sad fact of human nature. Where there is fear and ignorance it will always be found. However, censoring artists is wrong. You never change the discussion if you edit the dialogue.

Please, take a moment to re-evaluate your Decency Initiative. I think if you do you’ll find that there are more important things you can be doing than picketing record label’s offices.

Thank you for your consideration in this matter and for all the good that your organization does.

Sincerely,
Rebecca Elson

Seeing Sounds

Well, it’s time to get back on track with keeping you up to date on my summer music buying frenzy. This review is for an album that came out in June. I know, I know…but there has been a lot going on. Don’t worry though, things are getting back on track and soon you’ll be all caught up. So enjoy.

Trying to describe N.E.R.D. is essentially impossible. I know plenty of people do describe and define them. For instance the Wikipedia entry for them starts with, “N*E*R*D is an alternative rock band formed in 2001. Their music is best described as funk rock, with various other influences, including hip-hop, soul music, alternative rock, and blues rock.” It’s as good of an attempt as any.

N.E.R.D. are hip-hop with live bands. Rappers influenced by rock music. The best way I can describe it is that N.E.R.D. are in a bubble of hip hop. They push against it, stretching the bubble, but are careful not to burst it. They’re all over the map and I love them for it.

Their latest album is “Seeing Sounds”, which is a theme that plays as an undercurrent for the album. How do you see sounds? Try listening to this CD. It’s a glorious cacophony. A masterful collage. A Jackson Pollack painting pressed onto a disc. At some points it’s rap, like the tracks “Anti Matter” and “Spaz” (two of my favorites), other times it’s rock, bordering on pop, like the song “Happy”, and occasionally they meet up and mingle like on the first single “Everyone Nose”, which is rap running through a funky jazz jam.

Here’s the first video/single from the album “Everyone Nose”. Enjoy! (And yes, if you watch carefully you will see Lindsay Lohan. Lohan, in a music video, about girls using cocaine. Insert your own mean spirited joke here.)

Cyndi Lauper is Irrefutable Evidence of the Divine

I feel safe in saying that Cyndi Lauper is irrefutable evidence of the divine. Seriously, think about that voice. Never in all the eons of evolution has there ever been a voice like that, and once she’s gone I feel safe in saying that there never will be again. I mean there will be another Whitney Houston, known as Mariah Carey, and there will be another Mariah Carey, known as Christina Aguilera, and I’m sure there will be another Christina Aguilera. But whether it is a hiccup in Darwinism or the All Mighty Hand of God, nobody can sound like Lauper.

Her new album “Bring Ya to the Brink” is for starters, way better than its title. It’s a dance/techno album with pop tendencies. A lot of reviews mention the song “Rain on Me” and say something to the effect of, it’s the new “Time After Time”. Well every single reviewer that has used that line can bite me. What a huge disservice. I loved Lauper’s first album “She’s So Unusual” as much as the next person, song for song it’s one of the best ever, but creatively Lauper has surpassed that album, so to use her training wheels album as a comparison annoys me. Also, other than a vaguely 80s vibe, the song doesn’t sound like “Time After Time”, it sounds much better. It should, Lauper worked with Robyn’s producer for the track, and several others.

Lauper worked with notable pop and techno producers on this disc, and they definitely love her voice. No burying the vocals or running it through computers (although it’s done occasionally to good effect). They have Lauper’s signature voice cut through their instrumentals like a light saber through a Storm Trooper. A beautiful burning voice…that cauterizes.

The disc is littered with great techno inspired tracks. Some favorites: “Into the Nightlife”, “Echo”, “Raging Storm”, and “Grab a Hold”. I also do like the mid-tempo “Rain on Me”. But my favorite track is definitely “Rocking Chair”. This one was produced by Lauper and Basement Jaxx and it is fearless. An awesome techno tune, it features an almost tribal sounding Lauper, there’s a dash of urban sass, and some great use of “keyboard throat” as my friend Max would say (when you run the singer’s voice through a computer). Although, with Lauper’s insane voice, there very well could be no keyboard throat in action here, just raw Lauper bad assedness.

Unfortunately there isn’t an actual video for “Rocking Chair” but I found a fan montage thing that uses the song…good enough for me!

And here’s another kick ass tune from the album, this fan didn’t even have the decency to use photos, it’s just the song. Here’s “Into the Nightlife”.

The Bait and Switch of Duffy

As you all know, this has been the summer of my musical discontent…although more accurately it’s been the summer of my musical contentment and my wallet’s discontent. After my double barreled cd buying of the new Robyn and Madonna cds I was looking forward to a gap in my purchases. The next item on the list is Cyndi Lauper on 5/27 and to take a listen to the new Al Green that comes out that day to see if it to must be mine. All this said, you can imagine the word I said when browsing through my local discount store’s music section and I saw that the Duffy cd had released. (Hint, starts with f and rhymes with duck.) And with that, I snatched her cd “Rockferry” up and tossed it into the cart.

So ladies, you just realize that your life isn’t right. That the man you love isn’t capable of loving you back the way you wish he would. You need to reclaim your self-respect. To find yourself. You wake up just before the sun rises, pack your stuff into an old duffle bag, toss it into your beat up car and drive off into the rising sun on your journey of self-discovery. What cd do you listen to as you drive away? Duffy’s “Rockferry”.

Not to sound like every music critic on the planet, but it is the best way to describe it, Duffy’s cd sounds like a cleaner, less funky version of Amy Winehouse’s “Back in Black” album. It’s a fair assessment, but for me the two albums are a little like apples and oranges. Whereas Winehouse’s album reeks of self-destruction and self-loathing (God I love that album!) Duffy’s is filled with melancholy demands of self-respect and a desire for self-discovery. Maybe Rolling Stone did get it right when they said that Duffy is like Winehouse’s good girl sister.

The first single from Duffy’s album is “Mercy” which is up tempo tune that makes you want to shake your groove thang. It’s a great song. No other song on the album sounds like it. Not even a little. So do yourself a favor, don’t buy the album based on that one song! I don’t know if her label thought that Americans wouldn’t be interested in her bluesy, 60s songstress stylings or what, but they are definitely trying to pull the patented bait and switch on this one. In my opinion they’re doing the album a huge disservice. Duffy’s “Rockferry” album has a beating bleeding heart that draws you in, maybe it’s not an instant smash, but for me it is an instant classic.

Here’s the bait:

Here’s the switch: