1. For my readers who may not be familiar with it, can you tell them about “The Further Adventures of Cupid & Eros”?
THE FURTHER ADVENTURES OF CUPID AND EROS is a fantasy romantic comedy about two love gods (the titular Cupid and Eros) trying to set the world and their own love lives right.

While it’s commonly believed that Cupid and Eros are two names for the same god, in our world they are in fact colleagues, each the god of love in their respective pantheon. They still match up mortals and do their best to stem the tide of infidelity and divorce, but besides their common mission they are as different as night and Day. Cupid is the original “nice guy”; sweet, charming, but constantly in the “friend zone”. Eros on the other hand is sexy as hell, and irresistible to anything with a pulse—Mortal, God, or anything in between. He’s the ultimate romantic, she’s the ultimate personification of passion and unbridled sensuality.

When we first meet Cupid he’s still depressed from being dumped by his girlfriend Psyche. Eros has just about had it with his moping and her plans to help him recapture his confidence are what kicks the story off in our first season.

2. Where did the idea of Cupid and Eros doing their job in our modern times come from?
I’m a big nerd. Well OK, that’s not the entire answer, but it’s a big part of it. Ever since I was little, myths (not just Greek, but myths and legends from all cultures) were some of my favorite stories… right next to episodes of The Twilight Zone and just about any comic book I could get my hands on. I guess all that stuff kind of swirled around in my head and I found myself constantly intrigued by the idea of what these mythic figures would be like if they were walking around today.

The thing that set me off towards what would eventually become C&E was actually a panel from a SANDMAN comic by Neil Gaiman. Gaiman presented this banquet with representatives from different pantheons and folklores. I loved that idea of these different mythologies interacting directly… and I thought ‘OK, so Gaiman puts them in a palace, at a banquet… I’m going to put them in a gymnasium at what amounts to an awkward high-school reunion’ That idea, which would eventually become the Inter-Pantheon Mixer we see in episodes 5 and 6, was the beginning of Cupid & Eros.

As for why I chose focus on Cupid… At first it was simply because I thought it’d be funny to show a Cupid who can’t get a date himself… from there… well, lets just say I can relate (perhaps a bit too well) to his plight.

3. In future episodes can we look forward to them coming across competition from other love based deities like Aphrodite, Ishtar, Venus, or Qetesh?
I wouldn’t call it competition exactly, but I do want to feature a lot of those gods you mentioned. Aphrodite and Venus figure prominently in our heroes’ stories… If you go back and read some of those myths (not the least of which is Cupid & Psyche) you realize Cupid’s relationship with his mother was about as neurotic as they come.

And because in our world the different pantheons co-exist, I see different gods of the same thing as being like cops from another precinct… there’s some competition but there’s also the need for cooperation. I have a story I want to tell where Cupid ends up having to work with Kama (or Kamadeva, the hindu god of love). Kama is also an archer so there’s no way the two wouldn’t have a bit of a professional rivalry.

4. In the first episode it’s revealed that Psyche left Cupid for a dermatologist. How did you decide that out of all the occupations that would be the one of Psyche’s love interest?
Well, Psyche’s beauty is so central to her myth, but I figure if your boyfriend’s mom is Venus… after a while wouldn’t you start to worry that you might not live up? And wouldn’t you constantly look for ways to preserve that beauty both in the godly realms and on the mortal plane?

Also I lived in in NYC up until 2006 and there’s a dermatologist whose subway ads are legendary… in my mind that’s who Psyche is currently shacking up with

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5. I’m a big fan of the deity Quan Yin (Kwan Yin). I think she’d be an excellent “straight man” in a comedy setting, any chance I could see her in a future episode?
Believe it or not, a version of her is actually present at the Inter-Pantheon Mixer! If you look very closely at the name tag on the young goddess who Cupid mistakenly believes is smiling at him, you’ll see it actually reads “Guan Yin,” one of the alternate spellings for Quan Yin. I liked the idea that a goddess of mercy would unintentionally shoot down our hero… and I figured she’d be the kind of goddess Cupid would be drawn to. Plus there’s a real treasure trove of legends about her and ways in which she’s been presented. I think you’re right she would be a great addition to the cast.

In fact, almost every single extra at the mixer is actually tied to a real deity that we wanted to potentially bring in to the show in the future… but we did take care to be a bit vague about it so that we would have some flexibility down the road.

6. Are there any particular deities you’re fond of that might make an appearance in future episodes?
Oh man, there are so many. As mentioned, Venus, Aphrodite and Kama all figure into stories I want to tell. And Neikea, our villain at the end of season 1, has a whole family (not least of which is her mother, the goddess of discord Eris) who aren’t too fond of love gods.

I love the Egyptian and African pantheons and would love to bring them in. As much as I love putting modern spins on the Greek/Roman pantheons part of the fun of the show is calling attention deities that most westerners really don’t think about.

7. You’re the creator, writer, and director of “Cupid & Eros”. Can you describe the process of taking your ideas and ending up with an episode?
Things changed a bit episode to episode, but the basic plan of attack remained the same.

I started by writing our scripts. In all but one case I knew who my actors would be so I could write with them in mind. It’s one of the perks of having so many insanely talented friends. What’s more, my key crew – Director of Photography Jefferson Loftfield, Production Designer Vicky Chan, Gaffer Edwin Kim and Costume Designer Tera Struck – had all come on board as I was writing our first few episodes. Because they were with me from the beginning, I knew that we were all on the same page even before we shot our first frame of footage.

I wrote all of season one in 3 episode story arcs, so after I had a draft of each arc I would send it to my co-producer Andy Wells. Andy would then look at the draft, and in addition to making any story suggestions, he would identify areas that might have been problematic for our budget. One of Andy’s strengths, and one of the reasons why I was so fortunate to have him at my side, is his ability to figure out ways to stretch every dollar to the max. He was the definition of the creative producer.

Once our scripts were locked Andy would handle most of the details organizing the shoot so I could concentrate on working with my cast and crew on the creative side of things. One of the great things about working on something episodic like a web series is that we all grew with the show as the shoot progressed.

Yes I always had final say, but I knew that my colleagues understood the show, its world and its characters just as I did. A director is only ever as good as his crew and I truly believe I worked with some of the best.

Once production wrapped I moved to the editing room. I’m fortunate to have a phenomenal editor, Matthew Smith (who also edits The Guild, a web series created by Felica Day that is largely considered the mark by which other web series are measured). I would do a first cut of each episode and then Matt would come in and take my ideas and polish them, often suggesting even better ways to structure a scene or pace an episode.

While we did our best to stay ahead of the curve, we often found ourselves working right up until the night before an episode was due to go live. All in all we were actively in production and post production from roughly February of 2010 to February of 2011.

8. Where can our readers go to see episodes of “Further Adventures of Cupid & Eros”?
Our home base is at www.cupidanderos.com There you can watch all of our first season, learn more about the show and the people behind it, and get updates on screenings, new content, etc. This month you’ll also be able to go there to buy our Season 1 DVD which is going to be filled with not just our 9 episode first season, but all our additional content, photos, and audio commentaries.

And if people prefer, you can also watch us via Hulu, YouTube, Blip, and other online networks. There’s a complete list of all the places you can go to see C&E here: http://cupidanderos.tumblr.com/watch

9. Do you have other projects our readers can look forward to? Can readers look forward to more episodes of “Cupid & Eros”?
I hope we get to do more “Cupid & Eros” but at present we’re on a bit of a break. Our first season was completely self-funded and the stark reality at the moment is that I don’t have the resources to do that again… not without either dropping the quality of the show or asking my cast and crew to work for free, both of which I’m simply not willing to do.

We’re using what we have to build our audience (which is why I’m so thankful for chances like this) and hopefully we’ll soon get to a point where we can move forward with season 2. I’ve got a lot of stories left to tell and the next two seasons are already plotted out, so it’s just a question of finances (as it often is with independent filmmaking).

To that end, if people dig what we’re doing they can help by spreading the word far and wide. Following us on twitter/liking us on Facebook. Subscribing to our channel on YouTube or Blip.tv. If people wish, they can also donate directly to the show via our website. But the most important thing people can do to help is just watch and encouraging others to do the same.

In the meantime, I do have other work out there. My other web series The Silver Lake Badminton and Adventurers Club ( – co-created and directed by my C&E Editor Matthew Smith) has it’s first episode out and can be seen at www.slbaac.com. Some of my short films are available online and can be seen at my website www.highway9pictures.com or on my Youtube page, youtube.com/user/aglijansky

10. Parting shot! Ask us here at The Magical Buffet any one question!
You already mentioned your affinity for Quan Yin, what other gods or goddesses would you like to see re-envisioned for 2012? I promise to give you credit if we steal… I mean, borrow your idea

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Oh geez, don’t ask Mom to pick a favorite! Of course here on the website I’ve gotten to discuss a lot of my favorites already, that’s the joy of having your own site! We already mentioned Kuan Yin. I haven’t gotten to her on the site yet, but I have an affection for Kali. I tend to have a soft for figures who have been misunderstood or who have gotten a bad rap, so I list Set, Pandora, and Haephaetus amongst my favorites. I love Pele because in my opinion, what woman doesn’t? And I could go on, and on. But a real favorite of mine was technically an actual woman, but in my mind she is as legendary of a figure as an mythological character of her era, and that is Phryne, the courtesan of ancient Greece who lived a life larger than perhaps the Gods themselves.

About Avi Glijansky:
Avi Glijansky is an independent filmmaker living in Los Angeles, CA. He is the Writer and Director of several short films including OCEAN CITY (Haig Manoogian Post Production Award, NYU; Opening Night Film, Cape May NJ State Film Festival; Nominee Best Student Short, Ashland Independent Film Festival, First Glance Philadelphia Film Festival, Rehobooth Beach Film Festival; Nominee Best Dramatic Short, Ohio Independent Film Festival). In 2005, a draft of his feature film screenplay, 30TH STREET, took 2nd place in the “25 and Under” category of the annual Set in Philadelphia Screenplay Competition organized by the Philadelphia Film Office. In 2006, Avi and his producing partner, Adam Spielberg (Ramin Bahrani’s PLASTIC BAG), were among the final 15 filmmakers considered by Jonathan Lethem when he held a contest to give away the option to his novel YOU DON’T LOVE ME YET. Avi also adapted the novel MESSIAH, by Gore Vidal, for producers Mark Petracca (WILDWOOD DAYS) and Michael Butler (HAIR). From January 2007 through January 2009, Avi was a Production and Development Executive at Los Angeles-based Upload Films. During his time at Upload, Avi was intimately involved in all of the company’s projects including SHOTGUN STORIES, THE BABYSITTERS, PRINT, and DROOL. Avi is the Writer/Director/Co-Producer of THE FURTHER ADVENTURES OF CUPID AND EROS, an original web series about the love god Cupid and his terrible love life. Season 1, which features guest appearances by Bradford Anderson (GENERAL HOSPITAL) Jeff Cannata (THE TOTALLY RAD SHOW) and Taryn O’Neill (COMPULSIONS), had its finale on Feb 28th 2011. The show was one of six winners of NYU’s Inaugural Web Series Showcase and has received great reviews from Tubefilter, Eguiders, ThoseVideoGuys, Indie Intertube PopCultureMonster and tVadio. Most recently, Avi, co-created, co-wrote and produced THE SILVERLAKE BADMINTON AND ADVENTURERS CLUB which won the judges prize at the Celebrate the Web 4: Raising the Bar Web Pilot Festival.

You can follow him on twitter @ag457 and find his work online at www.highway9pictures.com

Hey Folks! Rebecca here. I told Avi that I was going to embed the first episode, “I’m Fine”, of “The Further Adventures of Cupid and Eros” here at the end of the interview. I told him that after my readers saw the first 5 minute episode they wouldn’t be able to resist watching the rest of the series. So go ahead, give it a try. We’ll talk in the comments after you watched the rest of the series.

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