Penczak Discusses Grimassi

I reached out to author Christopher Penczak to discuss Raven Grimassi’s last book, “What We Knew in the Night”.

1. I just want to acknowledge up front that it feels so weird to phrase this in the past tense, but here we are. For any of my readers who may not be familiar with him, can you tell them who Raven Grimassi was?

I completely understand. I was talking about Raven to a new friend the other day, and she said, “I thought he passed.”
“He did,” I responded.
“But you are talking like he is still here.”
“He is.” And I truly believe that. She was new to Witchcraft, so it took her a bit to get what I meant by it, but I still sometimes forget he’s not physically with us when I want to call upon the phone and hear his voice. It’s been a weird year trying to get used to that, and remembering I can still talk to him, but in a different way.

You can learn all the formal stuff about Raven anywhere online. He was a prolific award winning writer and teacher, and an experienced occultist with a focus on Italian Witchcraft and his own tradition called Ash, Birch and Willow, but that doesn’t convey to everyone that Raven was, in this incarnation, an extremely loving and fun man, with a devious sense of humor, who enjoyed a glass of sloe gin and tonic, would give great advice and was deeply passionate about the mysteries of life and magick, which were one in the same to him.

Despite the humor and fun, Raven was deeply dignified, and could hold both that warm and that nobility of the Craft as a priest of the Craft. Throughout his illness, he held a sense of deep dignity, regardless of what was going on with his health. It was this presence of self I saw shine through in his classes and rituals and he held that in all how he lived and in how he died.

Raven wasn’t one to tout his prowess magically or psychically, but he was an excellent medium with a clear gift to talk to the spirits, and many magickal things would just occur around him, just in everyday life. He could see and point out the magickal around you with a keen awareness. The faces of creatures within the trees and land around him, that you might swear were not there until he pointed them out, always astounded me, and they were not just tricks of the eye, but had a presence he was sensing.

Raven was deeply concerned about the preservation of the mysteries, of the essence of the Craft and what it means. I think sometimes people misunderstood that passion, but it was deeply rooted in the wisdom of the ancestors, the desire to help people connect to something bigger than themselves, and to serve a greater good.

2. You, and the Temple of Witchcraft, had a close relationship with the Grimassis, how did that come about?

I was very lucky to be befriend Stephanie and Raven early in my own writing career. I believe we met at the Book Expo America, or BEA, in Los Angeles in 2003. I got to meet a lot of amazing people that year. I had met Donald Michael Kraig earlier, in 2002 at the Llewellyn offices, but we got to spend time at BEA and he was an old friend and former student of Raven’s, so I got some quality time with them both and Stephanie. I started my friendships with Ted Andrews, Richard Webster, and Kala Trobe on that trip. We got more time together at International New Age Show, or INATS, just a month or so later in Denver. I found out at one point that my publisher was touting me as the “next Scott Cunningham” to retailers, and both Raven and Don heard that, and were curious to meet me. I met a lot of Scott’s friends and family around that time, which was weird, though I didn’t know that was how I was being billed. Scott was also a student of Raven’s, and thankfully we all hit it off. Raven remarked that it was surprising how quickly the older generation of authors were welcoming to me years later, and I’m very grateful that happened. On my first major book tour for “The Outer Temple of Witchcraft”, Stephanie and Raven graciously opened their home to me, as I was on a budget. My last night of the tour in San Diego area, they hosted me, took me to dinner and then to the event and we hung out for two days. They were just starting work on “The Well Worn Path” card deck and I got to see Raven’s original sketches and the preliminary art with someone who wasn’t actually chosen for the project in the end. After that, we were at several festivals together and they kindly took me under their wing and showed me the ropes for festival work, as I had no idea what I was doing, or of the Pagan cultures beyond New England. We attended Pantheacon, Heartland, and the Florida Pagan Gathering together, along with a few more INATS.

When Raven and Stephanie decided to move out to New England, we visited more and did more local events together. When we began the Temple of Witchcraft, they were our first guest speakers and not long after that, were keynote speakers for our Templefest summer gathering. They have been tremendously supportive in our establishment and success, and offered great advice when things were difficult and how to handle tough situations and people. The community loves them and really feels the loss of Raven. We have fostered bonds between the students of Ash, Birch and Willow and the Temple, and one of their initiates, Julia Radford, even had a main part in our Qabalistic ritual at Templefest, along with Stephanie. We held a memorial altar for Raven at Templefest, and Stephanie shared an ancestral honoring song from their traditions with us.

3. Following Grimassi’s death, it was left to you and his spouse Stephanie to do the final edits of his last book. What was the experience of editing someone else’s work like?

While I have edited other people’s work, this was entirely different. To be of aid to a friend and mentor’s last book was humbling and while I’d like to say I had a clarity at the time about it, I am not sure I did. Although due to his health his passing wasn’t unexpected, I think I was still in shock at the reality of it and our deadline was literally the two weeks after his death, so editing came amid making funeral plans and helping host friends and family coming out for the services. Stephanie did the majority of it with him, and most of it was done the day before he passed. The rest were follow up queries. Much of that part was done together, in front of one computer or print out, going over the edits while Steve, Adam and I were staying with her, and other times Stephanie and I were on the phone, going over the file. We were often having to come to agreement that, yes, that is how Raven would want it, particularly when answering questions and queries from the in-house staff editors. Honestly, I’m giving myself a bit more time before I sit down and read it again cover to cover now that it’s in print. I have it on my “to read” pile and keep looking at it, but I’m not ready.

Tremendous thanks goes to Judika Illes, who was a guiding light, support and stopped us from freaking out too much, particularly about references we could not look up, as much of Raven’s library was still packed up from the move back into the main house after their fire. When we had to stop, to deal with funeral arrangements, Judika took over the parts we could not go further to do. I am deeply grateful as it felt like we had a lot of balls in the air to be juggled and were afraid to drop one. Folks at Weiser in general were just lovely to us both during that process.

4. I feel like this book, “What We Knew in the Night: Reawakening the Heart of Witchcraft” was Grimassi’s most honest, truest expression of his craft. Would you agree with that?

I really love the book, though I love most of his books. But I think “What We Knew in the Night” reveals a Raven Grimassi who is quite honestly out of fucks to give. And by that I don’t mean he doesn’t care about the book, quite the opposite, but he’s writing from a place where he has nothing to prove to anyone, just to share what he has known, lived, and seen.

I remember the first conversations about it. He asked me on a road trip to do some shopping in Northampton, MA, if I had heard about “x,” a little-known technique. I hadn’t. Then he told the story of how he learned it, and a strange world of quiet occultists and Witches, sharing knowledge if you were in the right place and the right time. His telling of this youthful stories reminded me of some of the chats and teachings I would receive just hanging out with him at the house, or by the fire at a Pagan festival. After a few stories, he told me he was thinking about writing about these things, and what they meant to him, how he used them and asked me if younger Witches would be interested. I was, so I did think so, and he began the book. The vision morphed a few times as he worked on it, but that was the essence of it.

While his other books, perhaps until his Weiser books, were heavy on the academics as a reference, he began a process about sharing more intimate practices. I think the DVD “Ever Ancient, Ever New: Witchcraft by the Hearthside” helped him get into a new mode of writing, as that hearthside experience was mentioned a lot with this book and the origins of the material when he was a young Witch in California, being introduced to these unusual Craft folk by others in the community.

While he planned it to be his last Witchcraft book, he had a lot of ideas for other books on occultism, history and spirituality on his mind and I am sad that they won’t be in the world and I won’t get to read them.

5. What separates the witchcraft discussed in the book with other witchcraft titles?

This book has a level of grit, or realness, to it because the focus is not on providing an academic argument as a foundation for understanding. The foundation was in a time that some would think is past in the craft, a time of study with elders, and learning mouth to ear that Raven is preserving by this important work. While having his own experience with the material, it’s also not his own pure gnosis, but set in a foundation of what came before, yet conveyed in that very earthy, tactile way that speaks to the soul of the Witch. He describes it through his own eyes and use, in his own poetic style that was evident in his rituals and music. He even takes on the concepts of academics head on in preparing you for the material of the book.

6. “What We Knew in the Night” outlines 5 steps to following the witchcraft tradition Grimassi discusses. Can you briefly outline them for our readers?

Raven described five steps to his idea of quintessence, and they are:

1. Gathering the Virtue of the Moon – this step is drawing to you the beneficial qualities and powers of the Moon through a “V” shaped hand gesture. This teaching has one of my favorite quotes ever from Raven: “Remember that this moon is the exact same one that every Witch from the past once looked upon.” This Virtue of the Moon is the energy of Witchcraft that guides us in the work.

2. Meeting the Wafting – the Wafting of the Night is the pre-sentient energy of the night, of the primordial darkness. It is an awareness that wafts from the trees, giving us an experience of the mystical. Through words of power, we become aware of its presence, and it becomes aware of ours, and shares in our magical work.

3. Aligning the Witch’s Blade – the work of Aligning with the Witch’s Blade is one of uniting the stars and the darkness of the underworld, and uses some often forgotten traditional techniques of heating the blade, plunging it in cold water with herbs and roots, and magnetizing it.

4. Creating the Clay Witch’s Pentacle – the device of the Witch’s Clay Pentacle is one of the cthonic underworld. The pentacle also as an embodiment of the terrestrial world helps create the final link of the circuit between the heavens and the underworld.

5. Making the Witch’s Ring – the ring uses a stone that has two mates, one within the pentacle and one upon the altar as an altar stone, allowing the work of these five aspects of Witchery to be mobile with the Witch at all time, via the power of the ring. The three stones create a “trine” or harmonious aspect with the powers gathered, and allows the deeper alignment of the heavens, earth and underworld, the classic three worlds of the Witch.

It’s really a beautiful system he has shared involving aspects and elements of things he has both talked about and written about for years, but its framed in a very poetic, magickal and evocative way.

7. What is the one thing you want to make sure my readers know about Raven Grimassi?

That he was, and is, a man of deep honor and love.

8. You, along with Steve Kenson and Adam Sartwell, founded the Temple of Witchcraft. How are things going with the Temple?

Things are really good overall. We are currently in our academic sessions for online classes and have a wonderful group of students in study. We are making plans for our community center, seeking approval with our town planning board and generally enjoying the Hallow’s season.

9. What’s next for you? Do you have any upcoming projects you’d like to share with my readers?

I am in the process of helping in the work of another mentor and friend, Laurie Cabot, as Copper Cauldron releases Laurie Cabot’s “Book of Visions”, a meditation book, for the yuletide season. I also have three books in various stages of production I hope to have out next year if all goes well.

10. Parting shot! Ask us here at The Magical Buffet any one question.

I know you’ve attended many events in the Northeast and I believe you’ve met Raven. What’s your favorite Raven memory?

I remember one year at Celebrate Samhain, an annual event in New Hampshire, Raven was one of the speakers. I don’t remember the topic of his talk, not even a little. However, the thing I remember was him thanking the audience and talking about his readers. He spoke with such genuine appreciation that it was then I decided I liked him. I’ve seen him speak or attended a class he instructed several times, but him thanking everyone, that’s the memory that sticks out.

You can learn more about “What We Knew in the Night” here.

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About Raven Grimassi:
Raven Grimassi was a neo-pagan scholar and award-winning author of more than 12 books on witchcraft, Wicca, and neo-paganism. He was a member of the American Folklore Society and was a co-founder and co-director of the Crossroads Fellowship, a modern Mystery School tradition. Photo credit: Peter Paradise, Raven Wolfe Photography

About Christopher Penczak:
Christopher Penczak is a modern Witch, teacher, and healer. He is the author of the acclaimed Inner Temple of Witchcraft series and of “Gay Witchcraft”, Weiser Books, 2003. He offers classes and workshops throughout the U.S. Visit him at: www.christopherpenczak.com.

Wicca: A Modern Practitioner’s Guide

Arin Murphy-Hiscock’s latest book, “Wicca: A Modern Practitioner’s Guide”, is impressive in many ways. For starters, Adams Media did a wonderful job formatting the book. A beautiful hardcover book perfectly sized to carry around in a handbag or backpack. Once inside you realize Murphy-Hiscock has taken on a daunting task of defining Wicca. She starts out explaining that Wicca is not an ancient religion, despite what some people may tell you. Murphy-Hiscock painstakingly details the origins of a Wicca and the many ways it differs from witchcraft or other pagan traditions.

The author explains that “Wicca” was intended as a much-needed book to deal with the next level of Wicca practice. However, she discusses spells, sacred space, grounding, and more, which all provide nice information for beginners. Honestly, I have never seen such a thorough, well thought out, explanation of the beliefs and practices of Wicca. Arin Murphy-Hiscock has written a beautiful classic for anyone interested in Wicca.

You can learn more here.

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Sacred Herbs of Samhain

Let’s face it, there are loads of books on using herbs for health and magic. I enjoy reading them all, because I love food and there are lots of tasty things that show up in books on herbalism. In reading books from different authors I’ve learned that there is more to herbs than taste or potential health benefits. Herbs, and plants in general, have a rich history you might never have suspected. Each plant, with its unique appearance, scent, physical make up, and taste has created its own mythology and place within cultures, religions, and spiritual practices. And no one tells a plant’s story better than Ellen Evert Hopman.

Hopman’s latest book, “The Sacred Herbs of Samhain: Plants to Contact the Spirits of the Dead” is a wonderful addition to her previous works. Like the herbs she talks about, this book has a wonderful back story that she shares in the acknowledgements:

I wish to thank Kevin Sartoris of Muse Gifts & Books in Marlborough, New Hampshire, who invited me to speak at the annual “Celebrate Samhain” event and suggested that I talk about herbs to contact the dead. I said, “Sure,” and promptly put together a talk. The Kevin asked, “Why not make the talk into a book?” and I said, “Why not?” and this volume was born.

Long time readers know how much I love Kevin, Muse Gifts & Books, and the Celebrate Samhain event, so, I was stoked to learn of the book’s origin. But enough back story, what is in “The Sacred Herbs of Samhain”?

The book is broken up into two parts. Part One is “Herbs of the Spirits and the Dead and How to Use Them at Samhain”, and Part Two is “Herbs, Foods, and Traditions of Samhain”. At the start, Hopman discusses how to use herbs in purification and protection, divination, and in relationships with spirits, fairies, and the dead. She then covers Dumb Suppers (a traditional feast honoring the dead), including their history, recipes for food, and rituals associated with them. Of course, Hopman also discusses Samhain itself, providing an example ritual and foods to be used as offerings.

She gives you some basic information for each plant or herb, including their more common usages. Then at the end of each entry, Hopman explains how they can be specifically used for the Samhain season. This takes what could have been a once a year book and turns it into a book that can carry you through the whole year.

“The Sacred Herbs of Samhain” is a good pick for those interested in plants and herbs, but it is an absolute must for those interested in integrating those plants and herbs into their Samhain observances.

You can learn more here.

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Familiars in Witchcraft

When I saw “Familiars in Witchcraft: Supernatural Guardians in the Magical Traditions of the World” by Maja D’Aoust I knew I wanted to read it. Who doesn’t love learning about those adorable animal familiars? In retrospect, it was a pretty myopic view. Fortunately, D’Aoust opened my eyes into what makes a familiar.

There’s so much more in the world to be considered a “familiar” than your typical black cat. D’Aoust takes a truly global approach to the conversation. Her discussion of Greek belly-talkers and sibyls and the source of their powers was eye-opening. The examination of the role of angels in Judeo-Christianity was something I never considered before as a “familiar” relationship. D’Aoust also looks at fairies, familiars in Chinese legend, and even their appearance in India. I also want to mention that the author’s own artwork is used throughout the book. It’s unusual that the author provides their own art, and in this case helps bring extra vitality to her words.

“Familiars in Witchcraft” is wonderful, global look at what defines a familiar and how that title is mutable depending on culture. A worthwhile read for all those interested in spirit.

You can learn more here.

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Witchcraft & Secret Societies of Rural England

I was honestly not prepared for how amazing “Witchcraft & Secret Societies of Rural England: The Magic of Toadmen, Plough Witches, Mummers, and Bonesmen” by Nigel Pennick turned out to be. I was expecting a scholarly text, or perhaps some fantastical legends, but what I ended up with was a perfect mix of both.

Pennick paints a vivid image of an earlier time in rural England. A time when magic and daily life coexisted seamlessly. The line between trade organizations and magical societies were blurred to make the average person’s difficult life a little easier. Millers, gardeners, people who worked with horses, and more, all had their own trade guilds that also functioned as secret societies. Tricks of the trade, as well as beneficial magic, that would aid them in their craft were shared. Entrance into these groups was harrowing and the price of betrayal was potentially quite high.

“Witchcraft & Secret Societies of Rural England” pulls on extensive research as well as the author’s contact and participation with the modern-day remnants, and revivals, of these groups and practices. “Witchcraft & Secret Societies of Rural England” is a fascinating read that I cannot recommend enough.

You can learn more here.

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Witchbody

I remember looking through the Weiser Books catalog and seeing “Witchbody” by Sabrina Scott. It was described as a graphic novel about everyday magic. I’m a fan of comic books, particularly in their collected form, commonly referred to as a “graphic novel”, so I had to check it out. Simply put, it’s amazing.

“Witchbody” is a beautiful and poetic exploration of ecology, magic, the environment, spirituality, and ontology. Scott’s art and prose combine to create not only a book, but a true magic item. Reading it changes you.

I don’t know what else to say. In my opinion “Witchbody” by Sabrina Scott is a must read and instant classic.


You can learn more here.

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Witching Hour

I’m not a big fan of journaling or keeping a diary. I was made to do it when I was young and in therapy. As an adult I’ve tried it out and generally find it a depressing chore. (Fortunately, with the prevalence of cognitive behavioral therapy, therapists these days don’t mention journaling.) That’s why if I’m going to use a journal, I like one designed with structure and purpose. One like “Witching Hour: A Journal for Cultivating Positivity, Confidence, and other Magic” by Sarah Bartlett.

This delightful, compact, 160-page full color journal is filled with exercises, articles, and spells. They’re divided into 8 sections: Self-Worth & Charism, Love & Romance, Abundance & Prosperity, Vocation & Lifestyle, Home & Well-Being, Success & Creativity, Dreams & Goals, and Friendship & Mentors. The format for the book is wonderful, but you cannot review the book without gushing about the illustrations of Rachel Urquhart (aka, Pony Gold). Her artwork is found throughout “Witching Hour” and takes Bartlett’s words to another level of magical.


If you’re like me, and want a more structured journaling experience, and love a touch of the magical, “Witching Hour” is the book for you!

You can learn more here.

The Witch’s Book of Self-Care

Here in New York we’re still in the cold, dark, grip of winter. As I type this, I’m waiting to see what happens with the next winter storm rolling through. Piled under blankets while listening to the fireplace makes me feel this is the perfect time to share my review of “The Witch’s Book of Self-Care: Magical Ways to Pamper, Soothe, and Care for Your Body and Spirit” by Arin Murphy-Hiscock. You may remember the author from the interview I did with her not too long ago.

Murphy-Hiscock states the goals of self-care as “healthy mind, healthy body, and healthy spirit.” At the beginning of the book she offers the simple definition of self-care as “self-care is any activity you do deliberately to take care of your mental, emotional or physical health.” She goes on to explain that the concept of self-care is compatible with magic “because magic is about listening to what’s inside you and the messages the Divine and nature have for you.” “The Witch’s Book of Self-Care” is truly proof of this because I feel it would appeal to people who practice magic looking for ideas for self-care, AND people who practice self-care looking to explore magic.

She divides the book into mental and emotional self-care, physical self-care, spiritual self-care, and household self-care. Contained within those chapters you’ll find diverse ideas ranging from a recipe for pot roast to affirmations to directions for making your own body butter. Seriously, this book has a little something for everyone.

If you’re like me, looking out a window into a cold, stormy winter, could I suggest “The Witch’s Book of Self-Care” to help fill the rest of the season?

You can learn more here.

A Short Story and a BIG Giveaway!

So…. remember back in October when The Magical Buffet was celebrating 10 years of existence? And how New World Library and Inner Traditions generously donated 2 of my all-time favorite books for a giveaway for the occasion? What you didn’t know is that I also reached out to Llewellyn Worldwide Publishing for a giveaway as well. Llewellyn said hey, instead of one book you like, why not let us send you multiple copies of 4 of our newest releases? I was like, heck yeah! Send them over!

This was mid-September and I patiently waited for the books. And waited. And waited. October came and went, and nothing. However, I was like, Llewellyn is so big and busy, I won’t bother them. Then late November I got a call from FedEx Ground. They had a package they had been trying to deliver for a while, but they suspected I moved. The address on the package wasn’t my previous address, it was the one BEFORE that one! Yet somehow the professionals at FedEx tracked me down and got the box of books to me! FedEx, you the best!

Which is why the 10th Anniversary giveaway train is about to leave the station one more time! Let’s call it The Magical Buffet 10th Anniversary/Holiday Season Giveaway Courtesy of Llewellyn! It just rolls off the tongue, doesn’t it?

What’s being given away? (descriptions from Llewellyn website)

“Traditional Wicca: A Seeker’s Guide” by Thorn Mooney.
While there are many powerful variations of contemporary Witchcraft, traditional Wicca offers unique experiences for those who seek it out. This book explores structured, coven-based styles of Wicca, in which the practitioners typically trace initiatory lineages back to Wicca’s early founders. Discussing covens, initiations, lineages, practices, ethics, and more, “Traditional Wicca” shares tips and ideas on how to get the most from this profound approach to Witchcraft.

Discover how to recognize healthy, reputable covens. Learn how to navigate the process of asking for training and succeeding in an outer court. Explore the spiritual strength of lineages, hierarchies, and initiation. This book also includes contributions from several practitioners, providing valuable first-person perspectives on what it’s like to be on the traditional Wiccan path.

“Essential Oils for Emotional Wellbeing: More Than 400 Aromatherapy Recipes for Mind, Emotion, and Spirit” by Vannoy Gentles Fite.
Throughout the ages, essential oils have been used to address a wide variety of mental, emotional, and spiritual needs. Bring this ancient knowledge into your modern life with “Essential Oils for Emotional Wellbeing”. Featuring more than 400 step-by-step recipes, this comprehensive guide makes it easy for you to take control of your wellness and spiritual journey. These recipes come in many forms, including:
• Bath and Shower Bombs
• Bath Salts
• Lotions
• Ointments
• Diffuser Scents
• Powders
• Rubs
• Salves
• Sprays
• Lip Balms
• Massage Oils
• Inhalants
It’s simple to find the recipes you need with this book’s well-organized categories based on conditions, emotions, needs, desires, and devotion. Learn about therapeutic properties, warnings, storage, and using essential oils for specific issues. With Vannoy Gentles Fite’s guidance, you’ll be able to use these gifts from the earth to benefit every aspect of your life.

“The Orphic Hymns: A New Translation for the Occult Practitioner” by Patrick Dunn.
The Orphic hymns are fascinating historical artifacts—87 devotions, invocations, and entreaties to the Greek gods that are as potent today as they were when they were originally developed nearly two thousand years ago. Designed to be used in contemporary spiritual practice and spellcrafting, this premium hardcover edition features spectacular new English translations by Patrick Dunn along with the original Greek on facing pages.

These translations are complete, accurate, and poetic—perfect for integrating into rituals and magical workings for every conceivable purpose, from protection to prosperity and everything in between. Written by a poet and occultist specifically for contemporary practitioners of magic, this must-have book also includes detailed notes to help you understand esoteric passages as well as suggestions for incense selection and the practical use of the hymns.

“The Orphic Hymns” also includes Thomas Taylor’s eighteenth-century translation as an appendix, an index of purposes, and a concordance with a glossary, a pronunciation guide, mythic backgrounds, and cross references of every deity and place named in the hymns.
These new translations of the Orphic hymns are powerful tools for magic and devotion. In addition to the translations of the 87 hymns, you will discover helpful notes and techniques for integrating the hymns into your practice.

“Carl Llewellyn Weschcke: Pioneer and Publisher of Body, Mind & Spirit” by Melanie Marquis.
To the countless people he inspired, Carl Llewellyn Weschcke will forever be known as the Father of the New Age. This vivid and entertaining book tells Carl’s story, from a childhood influenced by his Spiritualist grandfather to his early days as a member and president of the Minnesota NAACP. Discover the fascinating account of how he transformed Llewellyn Publications from a small publisher of astrology pamphlets into the largest and most important publisher of body, mind, and spirit literature. Read about Carl’s relationships with the most influential thinkers and teachers of the counterculture, and his public Wiccan handfasting and enduring relationship with his wife, Sandra. Written by longtime friend Melanie Marquis—and including photos and contributions from authors, artists, family, friends, and collaborators—this is a book that looks back at the kindling of a movement while empowering fellow travelers on their journey forward.

How can you win all of this? Glad you asked. You have from now until 11:59PM eastern December 24, 2018 to enter. That’s right, the winners will be announced on Christmas Day! Due to the sheer size and weight of the prize packages this giveaway is only open to those living in the United States. Don’t worry, I have many more giveaways lined up and those will be open internationally. Now, just do what the nice Rafflecopter widget asks and you’ll be entering!

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