Didn’t I just publish a review of a Claude Lecouteux book? Yes, yes, I did. There is already another book? Yes, yes, there is. Is it too much? No, no, it isn’t. Theoretically, you can have too much of a good thing, like fried food or sugar (not that I reign that in). However, when it comes to Lecouteux, you can NEVER have too much of a good thing, and his latest, “The Pagan Book of the Dead” is a very good thing.
“The Pagan Book of the Dead” explores the afterlife from a variety of cultures and sources and how it evolved. Medieval Christian depictions of the afterlife were apparently the English-speaking world’s first torture porn. I have trouble handling horror (movies or books) and dude, the crazy ways a soul could be tortured was/is messed up! Rarely did I see anything about heaven, occasionally I would read about forgiveness, but primarily, that afterlife is all about torture. And although medieval Christianity takes the taco for discussing afterlife as primarily torture, they don’t own the exclusive rights to unhappily ever afters. In fact, one of the biggest features of “The Pagan Book of the Dead” is that unlike most of Lecouteux’s books, which focus on English, French, and German texts, this book also has texts from Arab countries, Nicaragua, and Asia. Believe me, they can be just as judgmental and punitive.
Which highlights one of the things I loved about this book, which is not only its inclusion of other cultures, but other formats. Along with the traditional tales (fairy or otherwise) you have come to expect, Lecouteux also features Gypsy folktales and songs as sources. With these extra inclusions he crafts an even better tapestry of the interconnectedness of our stories and the universality of many of our themes and symbols.
I am not 100% certain, but “The Pagan Book of the Dead” MAY be my new favorite Claude Lecouteux book.
You can learn more here.
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